Jodie Foster Quotes
I love more than anything looking at a movie scene by scene and seeing the intention behind it. It allows you to really appreciate the hand of the filmmaker.
Quotes to Explore
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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I think I was dealt a good hand. I have happy genes.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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If we want to make a statement about a man's nature on the basis of his physiognomy, we must take everything into account; it is in his distress that a man is tested, for then his nature is revealed.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I'm kind of obsessed with wedges, but I go to a regular high school, so I'm not going to be wearing Vera Wang there.
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There's a picture there that people realize that, we stop helping Israel, we lose God's hand, and we're in big time trouble.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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Rather than support workers at home or investments in public schools, Mitt Romney and Paul Ryan support the Bush-era tax cuts for the very wealthy. They want to hand over our schools to private corporations.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
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Sometimes I will tweet an interview I have coming up and ask my followers what questions they have for the celebrity. I feel that way I can really know first hand what people want to hear answered.
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'Jaws' was the ultimate man vs. nature movie, and it was a movie that was basically three people against the elements, so that was the biggest influence on 'Frozen.'
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Hip-hop is really standoffish. It's really competitive and it's really about who's number one all the time. Sometimes it gets out of hand.
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There's no such thing as a writer's block. If you're having trouble writing, well, pick up the pen and write. No matter what, keep that hand moving. Writing is really a physical activity.
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I like the idea of the comedy of resilience.
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I was quiet, a loner. I was one of those children where, if you put me in a room and gave me some crayons and a pencils, you wouldn't hear from me for nine straight hours. And I was always drawing racing cars and rockets and spaceships and planes, things that were very fast that would take me away.
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I went into a McDonald's yesterday and said, 'I'd like some fries.' The girl at the counter said, 'Would you like some fries with that?'
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You can’t change the tale so that you turned left one day instead of right, or didn’t make the mistake that might have saved your life a day later. We don’t get those choices. The story is what got you here, and embracing its truth is what makes the outcome bearable.
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In common with many who have a brain injury, I initially lost my confidence and felt very vulnerable, as if a protective layer of skin had been stripped away.
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I love more than anything looking at a movie scene by scene and seeing the intention behind it. It allows you to really appreciate the hand of the filmmaker.
