Busy Philipps Quotes
Quotes to Explore
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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The Sundance Institute has been vital to the film communities of Latin America.
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I thought of the soul as resembling a castle, formed of a single diamond or a very transparent crystal, and containing many rooms, just as in Heaven there are many mansions.
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For me, cerebral palsy wasn't the biggest deal, because I always had it. You know, you always work with what you got.
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The very phrase 'Make America great again' implies some kind of reset to a time long since passed. A mission to restore America to a previous default setting where American economic superiority was without peer, factories and manufacturing plants were humming, and jobs were plentiful for anyone who wanted one.
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When the Bible was first published, bathhouses were mandatory, no one could read, and only the people in the Church could write.
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I could have ended the war in a month. I could have made North Vietnam look like a mud puddle.
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Wittiness turns me on more than anything else.
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Poverty can teach lessons that privilege cannot.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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When you tell the American people, 'Read my lips. No new taxes,' that should mean no new taxes.
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I was lucky enough to go to an all-boys prep school in upstate New York that had a film program, so we had access to 16mm Bolex cameras, Nagra sound recorders, Arriflex cameras. We even had an Oxberry animation stand!
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What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
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I have a satellite radio show called 'The Legends of Reggae.' It's a cool way to branch out and do other things. I'm paying respect to the legends of reggae.
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I'm a natural blonde, but I feel like a brunette.
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Doubts never end. If one doubt is removed, another takes its place. It is like removing the leaves of a tree one by one. Even if all the leaves are clipped off, new ones grow. The tree itself must be uprooted.
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I'd like to think I'd never do a gratuitous fart joke.
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I came on to the film with a very happy-go-lucky attitude which I think my character, Charlie, did when she went into the house. I expected it to be good, and then slowly things started to change for us all.
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Our adversity is never just for us, but to bless others around us.
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The architecture for 'Paladin' - given that it's at least three books, with the possibility of more - turned out to be bigger than anything I've ever created, with multiple levels of reality, interlocking mysteries and a terabyte of time frame.
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I like illusion when it is so convincing that we might as well see reality this way - I like to present to our belief system something that is convincing, that 'we know not to be.'
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I would never be on a reality show.
