G-Dragon Quotes
Quotes to Explore
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When you're young, you're stupid. You do silly things.
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It's one thing to live my own life and know that I'm O.K. But there's another thing I want to take on, and that is letting people know that they're O.K., too.
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It is only because of problems that we grow mentally and spiritually.
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There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
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I was very shy, but when I performed, I felt like I was in my own little world. I became more confident. Dancing taught me discipline and to feel comfortable in my own skin.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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My favorite role is mommy. I know that sounds cheesy to people who don't have kids, or there are even some moms who think it's cheesy. It's a role you can't prepare for; it's a role you don't get paid to do, but it is the most rewarding role, and to me, it's been the most fulfilling.
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My mother was an activist; so was my father. They came from a generation of young Somalis who were actively involved in getting independence for Somalia in 1960.
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We do not quit playing because we grow old, we grow old because we quit playing.
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Although I write to entertain, and try to keep my work free of didacticism, I do have a rather passionate belief in our need to be connected to - and to learn from - history.
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My mother turned me onto St. Jude back in the days when I was wild and crazy. She took me to the shrine on Rampart Street.
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We've got our own daylight to get bad thoughts away, and we talk with that light - our star in our heart. We take away what's unimportant.
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In general, the philological movement opened up countless sources relevant to linguistic issues, treating them in quite a different spirit from traditional grammar; for instance, the study of inscriptions and their language. But not yet in the spirit of linguistics.
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I'm fiercely independent, but I'm also terrified of being alone.
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I write slowly.
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The actuality of all of material Nature is therefore kept out of action and that of all corporeality along with it, including the actuality of my body, the body of the cognizing subject.
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I like to study failure, actually. My partner says, 'I want to know where I'll die so I'll never go there.' We want to see what has caused businesses to go bad. The biggest thing that kills them is complacency. ... The danger would always be that you rest on your laurels.
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A work based only on a line concept is scarcely more than a illustration; it fails to achieve pictorial structure. Pictorial structure is based on a plane concept. The line originates in the meeting of two planes ... we can lose ourselves in a multitude of lines, if through them we lose our senses for the planes.
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Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.
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I love the energy over here in the U.K., the hospitality is insane.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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I don't think that brutality and idealism are mutually exclusive. It's a common denominator in my work - rabid idealism.
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I'm the type of person who commits to the fullest to whatever I'm doing.
