Maxine Peake Quotes
Generally, I am losing faith in telly, as we do have good dramas but not as many as there should be.
Quotes to Explore
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Mr. Fitzgerald, I believe that is how he spells his name, seems to believe that plagiarism begins at home.
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Once Dwight Eisenhower makes up his mind, he's full of indecision.
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Things are looking up, and hopefully, I will be doing good roles in both Hollywood and Bollywood.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
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You know what I like? I like classic stuff. I like 'The Andy Griffith Show' – the variety of characters was so amazing to me.
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I would have liked to be - indeed, I should have been - a second Rembrandt.
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The society Shakespeare knew was heading for tremendous change, and he seems to have recognized that and written about it in a coded way. I understand those codes, I think.
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I feel very, very, very intent on only releasing things that I believe are fully worthy.
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I've spent most of my mature life trying to prove that I'm not irresponsible.
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Right now I'm really happy with how things are going with my chess career, so I'm not thinking of doing anything else.
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The first English settlers of North America knew they were making history. New Englanders in particular were so sure of it that they started writing their own accounts of themselves as soon as they got here.
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When I got to law school, I didn't do very well. To put it mildly, I didn't do very well. I, in fact, graduated in the part of my law school class that made the top 90% possible.
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Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
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It was Nate Monaster who encouraged me to be a writer.
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I love architecture almost as much as I love my musicals.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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In the past, kids didn't tell their parents they were gay, so there were never the bust-ups. Some parents react so strongly to the news that their children are gay that the reaction is, 'Get out of our house.' There's a residue of old prejudices that are going to die hard.
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I love food and am very good at improvising when preparing it - it's a really creative experience for me.
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I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.
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I feel it's better to be loved and respected. If people fear you, you can get killed. If you're feared, nobody likes you. If you're feared nobody treats you the right way. You never get the right answers. You ask somebody if this is good, they'll tell you it's good even if it's bad. Nobody wants to be feared. You want to be respected.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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The blues is a mighty long road. Or it could be a river, one that twists and turns and flows into a sea of limitless musical potential.
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Generally, I am losing faith in telly, as we do have good dramas but not as many as there should be.
