Joe Bastianich Quotes
'Restaurant Man' is kind of the story, an unabridged story of what happened in my life, the good bad and ugly. Some people might glean some life lessons. It is honest, not written as a press release.
Quotes to Explore
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In Hollywood, you can live alongside very famous but still incredibly boring people. I've never wanted to be immortal. Even if nobody remembers me after my death, it's still okay with me.
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Classical quotation is the parole of literary men all over the world.
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My professional and human obsession is the nature of language, and my best relationships are with other writers. In many ways, I know George Eliot better than I know my husband.
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I went online with winelibrary.com in July of 1997; that was my first professional online play.
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I'm here today because I hated everything else.
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Any man whose errors take ten years to correct is quite a man.
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I think a lot of people are with the one they're meant to be with. I see it watching my parents because they've been together for so long and are still very much in love. I'm just sort of in awe of that.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I'm always shocked when I see myself because I don't recognize myself.
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I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
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Smoke machines are the best!
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
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There is plenty of building material and more than enough manpower to make a decent home for every Cuban. But if we continue to wait for the golden calf, a thousand years will have gone by, and the problem will remain the same.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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When I give notes on a script, I say, 'Guys, I may drift, but it's part of the process.' So I'm aware that I'm drifting, but I'm grabbing a lot of stuff.
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I've always been a fan of Korean cinema but never really pursued it, as I wanted to pave my way here in the States. I figured, once I established myself here, Korea might take notice. And it did.
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I've gotten to work with people like Kristin Chenoweth and Chita Rivera... Seeing their process is so interesting. Seeing that these people aren't immortal - that they go through the same motions as we do and ask for feedback and break down scenes... They have to work, too, and that's really exciting to see.
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I don't have any bad habbits. They might be bad habits for other people, but they're all right for me.
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I'm not that big a fan of marriage as an institution and I don't know why women need to have children to be seen as complete human beings.
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'War Horse' is just an extraordinary being.
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'Restaurant Man' is kind of the story, an unabridged story of what happened in my life, the good bad and ugly. Some people might glean some life lessons. It is honest, not written as a press release.
