Joe Gilgun Quotes
Quotes to Explore
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Foreign aid is not something the vast majority of Americans support, but definitely not conservatives.
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Difficult years lie ahead, patience is required.
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Nashville, I think, for me, personally, would be where I want to live and work. L.A. is a whole other world and has a whole other vibe to it, so I would like to come out here for work for a couple of months, but L.A. is just not really my scene, per se.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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I suppose I shouldn't go around admitting I speak untruths on the radio.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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The idea that happiness could have a share in beauty would be too much of a good thing.
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I tend to like simple music. And clever, succinct lyrics. Songs that don't try to be more than they need to to be effective, to stir up something emotionally within you.
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When I was 23, I founded an organization called Dress for Success, which is now in more than 100 cities in 8 countries and has helped a million women transition from welfare to work.
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You can't get there alone. People have to help you, and I do believe in karma. I believe in paybacks. You get people to help you by telling the truth, by being earnest.
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Thou shalt free thyself from convention, from everyday morality.
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People say it's a Ponzi scheme, it's a bubble. People really don't want to take it seriously. At some point, that narrative will shift to 'virtual currencies are here to stay.'
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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My forte is awkwardness.
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I just want to show the fans my big smile and play the game that I love.
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If you look at the carrying capacity of agricultural areas throughout the world, their ecological habitats are changing. So I think we're looking at - in our lifetime - great collapses of food services.
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I don't think anyone has written a great graphic novel.
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A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.
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Although this is a fictitious story the history is real. You don't want to re-write history but you certainly want to portray events and characters as realistically as you can.
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Regulators are power-lusting mediocrities.
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I want to go public because I have the right reason to go public - because the benefits outweigh the costs.
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Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.
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I was the only actor in my family. I wasn't given a lot of advice; I had to work it out.
