Joe Lando Quotes
On the first season of our show, I commissioned a Native American artist to make up, 'cause I'm known for the tomahawk, besides the hair and the leather outfit and the whole thing.
Quotes to Explore
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We've learned a lot about how information needs to flow effectively amongst a group of people. They need to be fed information, and it needs to be on this constant conveyor belt.
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Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
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Fiction about mining has a long tradition - Emile Zola's 'Germinal' and Upton Sinclair's 'King Coal' come to mind - and most readers will be aware of the industry's harsh conditions.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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I call Washington 'the city of the perishable.'
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If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.
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I think that music and visual arts can complement themselves nicely. They do different things - the music forces you into a different mood and perspective whilst the visual stuff can engage you in a more direct cognitive manner.
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I think Mr. Wilson will have to be the rest of the way alone.
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People in their handlings of affairs often fail when they are about to succeed. If one remains as careful at the end as he was at the beginning, there will be no failure.
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As a child, I was always making sound; it was a compulsion. I loved to scream and yell and sing; it freed me from all the thoughts in my head. I begged for opera lessons because opera singing is the most formidable, most emotional way to use your voice.
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Italy advocates the adoption of a legal instrument on cultural diversity, guaranteeing every country the protection of its own historical identity and the uniqueness of its physical and intangible cultural heritage.
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With the scale of our traffic, content library and monetization ability, we are confident to see profitable growth in the future.
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On certain, delicate subjects, bringing in outsiders to talk about values is pertinent because pupils listen to them more attentively.
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People ask how could I be so conservative. Well, I was born to people raised in 1889.
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Genius is a promontory jutting out into the infinite.
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I didn't develop or build synths. I had my technicians modify them for my live stage performances.
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Growing up in India, I knew all I needed to change the world was one good opportunity, and I prepared myself for it. When that opportunity came - in the form of the chance to earn an engineering degree - I was ready.
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Japan needs the American market and it also needs American security protection. Japan also needs America as the necessary stabilizer of an orderly world system with economies truly open to international trade.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.
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I grew up in the Bronx.
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I heard people saying they were going to become millionaires by the time they were 25 - that's gross and obnoxious, but in California it's looked on as an asset.
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strong
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On the first season of our show, I commissioned a Native American artist to make up, 'cause I'm known for the tomahawk, besides the hair and the leather outfit and the whole thing.
