Joel Edgerton Quotes
I always kind of aim with the action stuff to make it feel like, as an audience member, you're experiencing what the people are experiencing. As soon as you go into slow-mo or repeated edits, shooting it like it's a stunt, it takes it out of that reality. The more real you make that stuff, the more tense it will be.
Quotes to Explore
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I'm crazy about the Coen brothers, I'm crazy about Sean Penn. I love the usual suspects like Susan Sarandon, Meryl Streep and people like that.
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day's end, but is content to accept life and serve society as best it may.
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You must remind yourself at all times that the golf ball is nothing. It's an object. It's something to be swatted and sometimes lost and not even looked for.
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I was an expert horseman.
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It is all very well and it sounds very seductive to say we are going to have harmonisation of regulations, but for example the way that funds are distributed around the states these days, you are positively penalised if you actually want to have say a lower payroll tax or sort of conditions.
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Most Americans have no memory of the designs Franklin Roosevelt's New Dealers had for postwar-American foreign policy. Human rights, self-determination and an end to European colonization in the developing world, nuclear disarmament, international law, the World Court, the United Nations - these were all ideas of the progressive left.
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By the time a person has achieved years adequate for choosing a direction, the die is cast and the moment has long since passed which determined the future.
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I'm still number one and I just recently won a major tournament ahead of my toughest rivals so I think I had a few years ahead of me if I decided to stay.
Garry Kasparov -
Where I'm focused now is how I get more women leaders. We decided not to just look outside the company for great women to hire, but to help women rise up through the ranks internally.
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I've had the same barber since I was about 14 years old.
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My mom has helped me nurture my interest and hone my talent.
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As I grew up in that world and saw how much it affected her world and how much it affected our childhood, it made me very aware of politics. Of course, I have my own private feelings and thoughts, but I don't care to share them.
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I have always had this view about the modern education system: we pay attention to brain development, but the development of warmheartedness we take for granted.
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Our duties and responsibilities as human beings must be shown to be so incontrovertible that even atheists must recognize them. There are ultimate taboos.
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My reasons for declaring a sexual preference had to do less with the pursuit of personal freedom than with the lust for pure shock value.
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I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
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You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.
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I don't have anything interesting to conceal or reveal in my private life, and it is really only my work and professional life that I want to talk about.
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Kansas City is just a great place. I love the fans.
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I felt that there were so many people doing it that I would just be like one of the others.
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My dad's funny. He's laid back and a cool guy.
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But as important as the job to be done by government in the neighborhoods, the people must also be involved.
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Banks are so protected from liability they would have to really do something that was their mistake in order for them to be liable for it. Banks don't look at signatures. They're processing millions of checks and they have very little liability.
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I always kind of aim with the action stuff to make it feel like, as an audience member, you're experiencing what the people are experiencing. As soon as you go into slow-mo or repeated edits, shooting it like it's a stunt, it takes it out of that reality. The more real you make that stuff, the more tense it will be.
