John Banville Quotes
Quotes to Explore
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I was always interested in the kind of history they didn't teach you in school.
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Disrespect toward Jesus, as we have seen all too often in our society, is very offensive to Muslims.
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There's layers to our stuff: Our top layer is like candy-coated pop, because we want to party and have a nice time, but we also have a lot of different human experiences and other levels present in the Die Antwoord experience.
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I believe that I'm a hillbilly in my values and in my attitudes, and I don't want to lose that. I think it's possible to maintain a big chunk of that identity so long as you're self-reflective and meaningful about it.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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America slept because most Americans preferred it that way.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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If an organization values innovation, you can assume it's safe to speak up with new ideas, leaders will listen, and your voice matters.
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The spiritual reality of the Indian world is very evident, very highly developed. I think it affects the life of every Indian person in one way or another.
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There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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Any commodity that sees its price going higher will see new mines opening up. When the supply increases, the prices soften. When prices fall, some mines with higher production costs will shut down as they become unviable.
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I think art comes from some sense of discomfort with the world, some sense of not quite fitting with it.
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The way management treats associates is exactly how the associates will treat the customers.
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I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.
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This is really a window for people to choose what they want to skate to and try to explore new things, just do whatever they want. It's really nice to have options to express our creativity.
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I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
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Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
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It's our God forsaken right to be loved, loved, loved.
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We're appreciated by fans because of the level of our craft. The songs speak to them in a personal way. And they do it in an artful (way) and honest way. That's why. But, I think that's true of anything that stands the test of time as our music has. And it also proves that the critics are wrong. In a great sense, it proves how short sighted and how prejudice critics generally are, or their taste rather than for what the quality of the music really is.
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Ambiguity is the essence of Irish writing, I think.
