John Boyega Quotes
The scripts that I've been getting are of epic proportion. People want me to lead the big armies.
Quotes to Explore
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After all, film is so porous, and to my mind, so oddly occult, that I think that film itself absorbs odd energies like a living skin.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
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To develop drugs for people, we basically dismantle the system. In the lab, we look at things the size of a cell or two. We dismantle life into very small models.
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I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
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Item numbers are not my cup of tea.
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I guess my main influences are Jesus, rock 'n' roll and ex-wives. In that order.
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He who molds the public sentiment... makes statutes and decisions possible or impossible to make.
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Just once I would like to persuade the audience not to wear any article of blue denim. If only they could see themselves in a pair of brown corduroys like mine instead of this awful, boring blue denim.
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I feel blessed to be having a really easy pregnancy.
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I think every business, really, has a unique reason for being, unique assets, unique attributes, a unique history. And that can be turned into a very attractive design story, essentially, that consumers can relate to.
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Japan learned from the bombings of Hiroshima and Nagasaki that the tragedy wrought by nuclear weapons must never be repeated and that humanity and nuclear weapons cannot coexist.
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I hate to travel with stuff.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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I spent a lot of time at my grandparents in the school holidays, and the only books in the house were a copy of the Bible and Agatha Christie's 'Murder at the Vicarage.' I developed a taste for murder mysteries and then later discovered libraries, second-hand bookshops, and jumble sales.
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But the character was so successful, that first one, that they wrote him again and he came in right at the end of the first year in a show called THE BOX. I was up for the Emmy for that one too.
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That I am not a member of any Christian church is true; but I have never denied the truth of the Scriptures, and I have never spoken with intentional disrespect of religion in general, or of any denomination of Christians in particular.
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I get most of my inspiration from older records and older production styles, and that ends up rearing its head in the records that I make.
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Only while sleeping one makes no mistakes. Making mistakes is the privilege of the active—of those who can correct their mistakes and put them right.
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When you don't have to buy something, it allows you to try new things.
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When you're married to someone famous, people know you, but they're not really seeing you.
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We are a people of faith. We have been so secure in that faith that we have enshrined in our Constitution protection for people who profess no faith. And good for us for doing so. That is what the First Amendment is all about.
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If my feet ever left the ground, my mother would soon put them back down.
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The scripts that I've been getting are of epic proportion. People want me to lead the big armies.
