John Burdett Quotes
Quotes to Explore
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Well Sid Pollack was... He was I would say probably, probably the most influential on me.
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When you like something and you're pretty good at it and you can make a living doing it, you don't ask why. You just count your blessings and go with it.
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Feature filmmaking is a very powerful medium. It has a hold on me now.
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Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.
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My kids are free to do what ever they want. Because I only advise. I don't make them do anything.
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I've always liked to dress up; I've always liked to look good. You look good, you feel good, you play good.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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Kosovo today is closer to Europe than other countries in the region of South Eastern Europe.
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Anything - a destination, a person - that has some mystery around it becomes exciting and attractive.
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No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
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I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.
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I am becoming more radical with age. I have noticed that writers, when they are old, become milder. But for me it is the opposite. Age makes me more angry.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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Opera in English is, in the main, just about as sensible as baseball in Italian.
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You always gotta be on time, an hour ahead of everything. You always gotta be prepared.
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It is your work in life that is the ultimate seduction.
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We lived in a one-bedroom apartment in Northwest D.C. I was essentially raised by a Panamanian man and a Jamaican woman. That's why I have such a fascination with Jamaican food.
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I like the language in Proust but not the context.
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I studied you until I knew you, or at least, the public parts of you: your learning, your passion, the way your voice slows down when you answer a question. I studied your hands, and wondered how they'd touch me; your hair, and how it would smell. I wondered about that and about the rest of you I could not see. I wanted to know you. And I wanted you to know me. I wanted you to see me.
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When we think of India, most of us are in fact thinking of Rajasthan, that large splotch of dun-colored desert in the country's northwest which, from the seventeenth through the nineteenth centuries, was ruled by a succession of maharajas whose sense of color, opulence, and splendor created the most enduring images of India in the West.
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Michael Brown - when he lost his life, there was more focus on what he had done sometimes than what was done to him.
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When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
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In the West, we've lost our intuitive understanding of how poverty shapes thinking.
