John Burns Quotes
Quotes to Explore
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For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I think there is some credibility to the notion that marriage is an institution. It meant something very different hundreds of years ago when it became the norm for people to go off and pair.
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The sad truth is that most evil is done by people who never make up their minds to be good or evil.
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I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.
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I don't have a mentor in the strict definition. I take as much advice and inspiration as I can from the people I am close to.
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I used to sit in front of McDonald's and ask people for dollars to get me a cheeseburger. It was bad.
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To me, it's weird when people review improv at all.
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Tolerance, openness to argument, openness to self-doubt, willingness to see other people's points of view - these are very liberal and enlightened values that people are right to hold, but we can't allow them to delude us to the point where we can't recognise people who are needlessly perpetrating human misery.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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Traditional credentialing really doesn't have a lot of predictive value to if people will be successful.
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It's no use of talking unless people understand what you say.
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There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
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Akshay Kumar is a senior in the industry, and I consider myself lucky to be working with him. Each film of his opens to a packed house. Today, a film will sell only if you have a story. The audience is smart and won't be taken for a ride. And I'm confident about my movies.
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Some people are born strong or stretchy, or with a tungsten will.
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There isn't a country I ain't touch in Africa. I just came back from South of France, I toured China, Japan, wherever you name, 60,000 people come out to see Fat Joe.
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There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge.
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Each time you do a film you gain a lot of experience and build a visual resume where people get to know who you are.
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People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
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80 percent of our global fish stocks are fully exploited, overly exploited or have collapsed. Two billion people rely on the oceans for their primary source of protein.
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I really don't have a guilty pleasure.
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The one reason people don't take dance seriously is because a lot of choreographers don't take dance seriously.
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In Botswana in the Kalahari Desert there's a tented camp called Jack's Camp, which is like old Africa meets Ralph Lauren. The Oriental rugs, the old leather chairs - you feel like you've just jumped out of a Ralph Lauren ad.
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Don't hustle old people.
