Larenz Tate Quotes
'Scarface,' I remember going to see that with my father. We didn't know what to expect; we did not know what to expect. I was a kid, and my father took me, and we didn't leave. It was so disturbing, but we loved it.
Quotes to Explore
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I probably remember the 1954 Masters more vividly than any of the others.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I get motivated by the fact people are following me, that they want a photo or say 'vamos' or 'Canelo.'
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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Being in water makes me relax instantly.
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It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?
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It would be hypocritical of me to use being female in some ways, and diss being female in other ways. It's part of the programme.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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The laws of God, the laws of man he may keep that will and can; not I: let God and man decree laws for themselves and not for me.
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I dread the idea of a paparazzi snapping me while I'm out running.
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You should see all the negative things that the Romanian press writes about me.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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As far as actors go, you're not going to find many ballplayers better than me.
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My father is a very successful man in the corporate world, and I am his only son. He had certain dreams for me. I was scared to tell him that I wanted to be an actor.
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Drugs scared me.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
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One of the privileges you have of living the life of an artist and creating your own world and everything is the fact that, in-between times, you can kind of spend them however you want. Because, you know, once you open up your candy store again, you're open for business. And you have to be responsible. You have to be available.
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I think it's a natural human tendency, when you read something, you tend to read a lot of your prejudices into it. And neuroscience is like a lot of disciplines - it has fashions; things change.
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It's the tyranny of an oligarchy that I'm concerned about.
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To the mind that is still, the whole universe surrenders.
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The great pleasure that comes from reading poets such as Mark Doty and Marianne Moore is the realisation that the essential virtues - compassion, wonder, humility, respect for the mysterious - are far from conventionally heroic.
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'Scarface,' I remember going to see that with my father. We didn't know what to expect; we did not know what to expect. I was a kid, and my father took me, and we didn't leave. It was so disturbing, but we loved it.
