John Cameron Mitchell Quotes
Drag is a little scary, especially for a gay man who's not comfortable with his feminine side.
Quotes to Explore
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Under conditions of tyranny it is far easier to act than to think.
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I never left doo wop.
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I look a certain way. I have a very specific kind of look.
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My Alma mater was books, a good library... I could spend the rest of my life reading, just satisfying my curiosity.
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I think that in the discussion of natural problems we ought to begin not with the Scriptures, but with experiments, and demonstrations.
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If you're expecting an intellectual film, then you will be disappointed.
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I vowed to myself when I got married that I would cook every night. I find it very therapeutic.
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The very idea of carrying my memory into eternity devastated me, and I took refuge in atheism.
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One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret – how we manage to remove that from our conscience, or whether that's even possible, interested me.
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Many are ready, when listening to the inventor, to belittle and deny his achievements so that he will no longer be heard in honourable places, but after some months or a year, they use the inventor's words in speech or writing or design.
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Opponents of legal birth control, including abortion, have tried for decades to play the race card, saying that legal abortion is racist. What they ignore is that Dr. Martin Luther King, Jr. accepted the Margaret Sanger Award from Planned Parenthood in 1966.
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I remember immediately - immediately - feeling like, 'I don't want to play 'We Are Young' when I'm 35. I don't want to be defined by this.'
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Yeah, I can't separate the art from the music and the music from the art. I think that stems from going to school for film first, and kind of stumbling onto music as my career.
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Good teaching is one-fourth preparation and three-fourths pure theatre.
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We all have the archetype inside us of the enlightened being.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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You can usually tell when people aren't being authentic, but that goes for every artist, not just white artists.
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The way I feel about music is that there is no right and wrong. Only true and false.
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I spend a lot of time in American Apparel.
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Why can't it be a day where we take a moment and we stop and acknowledge the role that God has played in the formation of this country and its laws? What's so promotional about religion there?
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I can't judge the way other people behave. I can only look at myself.
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In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
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We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.
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Drag is a little scary, especially for a gay man who's not comfortable with his feminine side.
