Meg Rosoff Quotes
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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To receive everything, one must open one's hands and give.
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Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
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I've always felt a bit hard done by in England – you know, I've won the Bisto three times in Ireland, but it has felt like nobody has even heard of me in my home country.
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I've spent most of my life doing some sort of exercise, but I've learned to never push myself into doing it. I know that when I am up for it I will, and when I'm not in the mood to, I don't make myself feel badly over it.
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In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
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Whatever we do from government, we need to do what's best for America. If we do that, that's bringing power back to the people.
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The Chinese are really good at diplomacy - and even at making their interlocutors feel very uncomfortable.
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Wanting to be a good actor is not good enough. You must want to be a great actor. You just have to have that.
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My company invents all kinds of new technology in lots of different areas. And we do that for a couple of reasons. We invent for fun - invention is a lot of fun to do - and we also invent for profit. The two are related because the profit actually takes long enough that if it isn't fun, you wouldn't have the time to do it.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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Theatre is how I first encountered art on any level.
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The voters in District 8 shared our vision that Washington is broken, and we're going to go up there and fix it.
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I do find walking is fundamental to my creative process.
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The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
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I can't live without activity; I can't be sedentary.
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Sir Rodin convinced my parents to have me committed; they are all in Paris to arrange it.
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Who made the world I cannot tell; 'Tis made, and here am I in hell. My hand, though now my knuckles bleed, I never soiled with such a deed.
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You want a coach who is going to push you and be strong and be in your corner when it's tough, but sometimes you have coaches who think they are more important than the players. That's where the conflicts come.
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…all heroes and heroines trying to approximate, through barriers of pigmentation, to the Hebraico-Caucasian norm of Hollywood
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Swapping out the nine-to-five for a more agile, independent working life brings with it one other huge benefit - a channel for self-actualization.
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The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.
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'The Death of Common Sense'.
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Every day a piano doesn't fall on my head is good luck.
