Geena Davis Quotes
Quotes to Explore
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I've gone through stages where I hate my body so much that I won't even wear shorts and a bra in my house because if I pass a mirror, that's the end of my day.
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I feel like I want to and have to do everything once.
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I'm such a happy, easygoing person.
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From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
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God manifests himself in each historical period according to the understanding of the people of the era.
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Don't be surprised if you find me doing some charity work in another country.
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You watch 'Whale Rider,' and I defy you to not get teary-eyed at the end there.
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I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story.
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Our deals and performance speak for themselves. And whoever doesn't feel comfortable investing with us will not.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I love boliche, roasted pig, and black beans and rice. When I need a quick fix, I head to Cafe Cortadito on Avenue B and 3rd here in New York City.
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Intuition and concepts constitute... the elements of all our knowledge, so that neither concepts without an intuition in some way corresponding to them, nor intuition without concepts, can yield knowledge.
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Clark Gable seemed fascinating all his life because there wasn't so much information about him. Today, you're on television all the time.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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I cannot cure myself of that most woeful of youth's follies - thinking that those who care about us will care for the things that mean much to us.
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People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
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I was signed at 18 and had to grow up quickly.
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There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it.
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I realize that I'm in the top one percent of the world. I've traveled a lot. I've seen immense poverty in the world, and I can't live with everything I've had and be comfortable with everything I have unless I do something for the rest of the world.
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Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart. The continuity such an impression ignores is a literary continuity.
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Something's like crossed over in me and I can't go back. I couldn't live.
