Peter Jackson Quotes
And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
Quotes to Explore
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I think a strong dollar is the result of policies, but I don't think the strong dollar is in and of itself a policy.
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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The work that is truly productive is the domain of a steadily smaller and more elite fraction of humanity.
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I moved to New York - I attended NYU, did a BFA in Acting at NYU. I was really into hip-hop, so I started battling, like '8 Mile.' I used to rap battle.
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I got beat up up in Texas because my bootlaces were the wrong color.
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I am insecure. If you ask me, everybody is.
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The way I look at it is that somebody in the world, no matter what your field is - teacher, violinist, football player - has to be the best. Why not me?
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Life can be a bore if you're constantly walking sidewalks instead of a tightrope once in a while.
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How are we to live with the desert, in the desert, within the desert?
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Amen is not the end of a prayer, it just gets us ready to go to the next level.
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The importance of satire is bringing more people to the table. There are a lot of average citizens who aren't interested in politics and would be more interested if it's brought to them in a comedic, funny, satirical way.
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It's brutal out on the football field.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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My mother is Italian and my dad's Irish. In my family, we're expressive. Nobody holds back.
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We think of stars as celestial beings. And once in a while, they smile at us from the pages of 'People' magazine.
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There's an idea of the Plains as the middle of nowhere, something to be contemptuous of. But it's really a heroic place.
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Bringing an end to mass government surveillance needs to be a central pillar of returning to the principles we have put in jeopardy in the early 21st century.
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I'm working on bringing the instant film camera back as part of the future.
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We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
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I believe that every character is a setting, a world with moving parts, and on the other hand, every setting is, in fact, a character - a living breathing thing with personality and backstory. The way stories come to life, at least for me, is when these elements commune in relationship to one another.
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I've got to be right on top of the action, or else all those people watching the game will say, 'This guy's not very good.'
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If you only write when the muse strikes, you won't get anything done. You have to write consistently, when your schedule says you should. And that's hard.
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My mom is a nurse; my dad is a pediatrician. They were born in the 1940s, and they were both inspired to fight against injustice, whether it was the injustices of the Vietnam War or Watergate or children in poverty or oppression of African Americans in Philadelphia where I was growing up.
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And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
