Peter Krause Quotes
Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.

Quotes to Explore
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First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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No man is a success in business unless he loves his work.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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We should work with the principle that a work that can be done at a lower level should never be escalated to a higher level.
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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Quality is everyone's responsibility.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I had a job since I was old enough to work - since I was, like, 14.
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Majesty and love do not consort well together, nor do they dwell in the same place.
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My mother raised us to think that if we worked hard, and if we put our end of the bargain in, it would work out OK for us.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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It is very difficult to work in another language, and it is also very challenging.
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I've got a clear line between work and real life.
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They [my stories] evolve. If they're tightly constructed, it's because they're revised constantly as I move forward each day. That's where the structure inheres. It's all organic.
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And I'd watch George C. Scott from backstage. He was one of my mentors.
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My position has been consistent that middle class families should not pay more taxes. That hasn't changed.
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I got scars on my face that tell some kind of story. I'm looking in the mirror, and I got one scar that's really two scars - half from a baseball bat and half from playing football in college. I'll tell you, though, after a while, your face gets so wrinkled up you can hardly see them.
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Anyone who has worked with me knows that I am extremely action-oriented. I'm all about making things happen.
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Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.