Peter Krause Quotes
Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.
Quotes to Explore
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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No man is a success in business unless he loves his work.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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We should work with the principle that a work that can be done at a lower level should never be escalated to a higher level.
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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Quality is everyone's responsibility.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I had a job since I was old enough to work - since I was, like, 14.
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Majesty and love do not consort well together, nor do they dwell in the same place.
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My mother raised us to think that if we worked hard, and if we put our end of the bargain in, it would work out OK for us.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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It is very difficult to work in another language, and it is also very challenging.
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I've got a clear line between work and real life.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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I think one of the primary themes in my work is the paradox of memory, at once fundamental to our sense of who we are and yet elusive, ever-changing, fragmentary. One way to look at this is to say that, therefore, we ourselves are elusive, ever-changing and fragmentary to ourselves.
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The studio work that I do allows me to connect with people around the world. You can't perform live for everyone, so having the ability to share my creative vision with others is very important to me as well.
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I joke that I've always had this sort of insatiable 'big sis' complex - which is odd given that I am the baby of the family with no sisters! It's the reason I have such a powerful desire to connect with girls and encourage them. So, it's a natural fit for me to have a job that's like the editorial version of an older sister to a million girls.
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It's so important that we all speak up on mental health.
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I watch a lot of shows on Bravo - I'm not just saying that. I love 'Top Chef.' I love 'Real Housewives of Atlanta.' That's my favorite.
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Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.
