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I'm fascinated by the business of belief, obviously, because it's so ever present with humanity anyway. And, you know, when you have science, which constantly talks of proofs, you have religion, which constantly talks of beliefs and faith and so on.
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Punk recognised the fact that the establishment had no room. There's no point in saying you've got the establishment wrong because they hadn't got the establishment wrong, they'd got it absolutely dead on.
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I find it hard to imagine that anyone could be intimidated by me.
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I've never been pushy. People have said I should have been, more, but I'm not sure. I've watched hugely ambitious people: the minute they've got a success, they know where it's going, they know how to deal with it, and it all happens for them. Great. But that's not the way I - well, I don't like to use the word 'operate'.
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Everyone I've ever played has been flawed.
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I've done all sorts of children's things before, but none as big as 'Harry Potter.'
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I didn't consider myself to be pretty, not at all.
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Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
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I knew I didn't want to pursue an academic career at all, which, of course, my father would have loved me to have done. I didn't want to go to university. The only other thing I could do was paint, and so I went to art school because they couldn't conceive of how one would be an actor.
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My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.
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I'm not really a big musical fan. I enjoyed 'West Side Story' when it came out, but it gets a bit tired in the end.
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I've always felt, and I think I'm qualified to say so because I've won a few awards, that it's a terrible shame to put something in competition with something else to be able to sell something.
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Parents are the worst teachers, if they are good at it and you're not. My father thought I was the densest offspring he could have produced.
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I think people should be protected from being made to feel that they want to know what somebody famous had for breakfast.
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To me, nothing ever feels like a sure thing. I cling to that because it's very important you don't ever think anything is a sure thing.
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You can't lose your concentration at all. And there are times when you're on the stage, and you've got silence, which is wonderful, but you have to have the confidence to make you realize it's fine. You can't suddenly wobble and think, 'They're not interested.'
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The clergy is in the same business as actors, just a different department.
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I have done quite a lot of outsider figures.
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Film is not literature - the image on screen is the information you get.
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I say you play a part, you don't work one.
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I've lived publicly and never hidden behind closed doors. Therefore, if I have gone over the top sometimes, it has been visible.
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I'd never done any Beckett before 'Krapp,' and I haven't done any of his other plays since. I've always felt that 'Krapp' is an autobiographical piece.
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Everybody, I think, that was in 'Harry Potter' was certainly introduced to an enormous lot of young people.
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Half the stuff I have done which has been successful would never have been made if it had been shown to focus groups.