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I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.
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I'm essentially the result of other people's imagination. And that's fine. Because of other people's imagination, I've played parts I would never have thought I could do. Still, I've never had a hankering or an ambition for any particular role.
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My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
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I have lots of favourite memories but I can't say that I have a favourite film.
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I gave up religious thinking a long time ago and am really just an agnostic now.
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Human beings are very good at adapting to what happens.
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The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.
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Picasso was hugely innovative, and, wow, did he have facility, amazing ability, but I don't think he painted a masterpiece.
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Really, I'm only alive out of curiosity. I'm very curious about where we're all marching.
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Pretending to be other people is my game and that to me is the essence of the whole business of acting.
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I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.
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The difference between anger and deep remorse - remorse is much fatter. It's a deeper feeling altogether. Anger is too easy an escape for my money.
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I see myself as an interpretative actor rather than a creative one.
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We are all racing towards death. No matter how many great, intellectual conclusions we draw during our lives, we know they're all only man-made, like God. I begin to wonder where it all leads. What can you do, except do what you can do as best you know how.
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I'm very much of the opinion that to work is better than not to work.
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I seem to watch less and less television. The best thing in 'Downton Abbey' is Penelope Wilton. She is always worth the watch.
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Also the wonderful thing about film, you can see light at the end of the tunnel. You did realise that it is going to come to an end at some stage.
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For everything that you find dreadful, there's usually something that is rather marvelous as well.
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I like the physical activity of gardening. It's kind of thrilling. I do a lot of weeding.
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Society is constantly recalibrating, redefining what it considers to be moral and immoral.
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The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If you haven't learnt how to make a fool of yourself, you shouldn't be on the boards. That's absolutely what it's all about.
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I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
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If I'm in theatre, cinema doesn't even cross my mind. Similarly when I'm making a film, theatre doesn't cross my mind.
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I'm not accustomed to doing films without seeing the script.