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We are all racing towards death. No matter how many great, intellectual conclusions we draw during our lives, we know they're all only man-made, like God. I begin to wonder where it all leads. What can you do, except do what you can do as best you know how.
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My criteria when looking for a role is that I will do anything that stands the chance of succeeding on the level it is intended to. After that, if it's a part I can do something personal with.
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I don't think you automatically become an enlightened person because you are a daddy. But they will change you, of course - their understanding of you puts you in a different place.
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I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
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The English National Opera does have some terrific productions, which are accessible, and they're not too ridiculously expensive.
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I never quite understand why we watch the news. There doesn't really seem much point watching somebody tell you what the news is when you could quite easily listen to it on the radio.
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Religious people know deep down that that is the most vulnerable area of their lives, and when others question it, they are liable to hit out and feel insulted. You know it is absolutely without proof, yet people still commit themselves totally to this belief. They cannot refute it because it is so central to their lives.
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I don't care about the length of anything I play, as long as it's a good character.
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I was completely crazy and mad when I was young. I was absolutely in love with the dissolute.
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It's quite a dangerous career move to go wilfully on making films that may not find a distributor.
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I'm horribly self-critical.
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Acting is an imaginative exercise. It would be odd if you didn't try to identify with the roles you play, but I think I can differentiate between where my imagination is leading me and where I actually am.
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Life is full of ironies and paradoxes.
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How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
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I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
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I've never guided my life. I've just been whipped along by the waves I'm sitting in. I don't make plans at all. Plans are what make God laugh. You can make plans, you can make so many plans, but they never go right, do they?
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I think you can get better in mathematics on a school level, but when you're talking about being a mathematician, I think that's definitely a gift of genes or whatever, you know? Whatever your pool is.
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The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so many toys involved. They are fun for directors who like toys, like Ridley Scott, but they are not a lot of fun to make. A lot of hanging around, changing this and that.