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Don't forget there are two sides to performing. Finding the truth, but you also have to be transparent enough for the audience to see it. How many times have you seen a performance and thought: 'Well, it seems to be meaning a great deal to you but it ain't coming across to me?' It is to be shared.
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Things come in a quieter way to me. It's not laziness, and it's not diffidence. I just know how far you have to bend for work. That's important for me.
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Ultimately, the film industry has always pushed out its biggies, and I don't have a problem with that. I just wish that we'd spend more time nurturing the smaller ones.
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I first decided that I wanted to act when I was 9. And I was at a very bizarre prep school at the time; to say 'high Anglo-Catholic' would be a real English understatement.
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I'm somewhat old-fashioned, and I still talk about playing a part. I don't talk about my work - 'I've seen some of your work' - there's not much work in it, is there?
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I love the uilleann pipes and listen to Ronan Browne who's an uilleann piper.
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If I'm doing a play, 30 to 40 percent of the people that come to the stage door have pictures of 'Alien' for me to autograph. And usually, the photos are pretty gory ones.
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I've done a couple of conferences where you sit and sign autographs for people, and then you have photographs taken with them and a lot of them all dressed up in alien suits or 'Doctor Who' whatevers. I was terrified of doing it because I thought they'd all be loonies, but they are absolutely, totally charming as anything. It's great fun.
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Everybody's got to work with Roger Corman. You can't leave out that experience.
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I don't know whether I inspire anything in anyone.
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Human beings are very good at adapting to what happens.
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I remember once when I told Lindsay Anderson at a party that acting was just a sophisticated way of playing cowboys and Indians he almost had a fit.
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I think fame makes people a bit nervous.
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I can't say that I wouldn't prefer to make small films, basically because I think they are probably more interesting in terms of the material. But every now and again, it's quite good to do a big one.
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I'm essentially the result of other people's imagination. And that's fine. Because of other people's imagination, I've played parts I would never have thought I could do. Still, I've never had a hankering or an ambition for any particular role.
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I like entertaining. I adore it. I feel I'm in the right place. Without question.
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I gave up religious thinking a long time ago and am really just an agnostic now.
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Early on, I didn't intend to have children. I thought it was too difficult a world for them. But then it happened, and I am thrilled to have them now.
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There are situations where you are left robbed of all quality of life, and I believe it is entirely up to you how you want to deal with that. You can follow the dictates of religion if that is what you believe in, or you can take a personal decision.
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I have lots of favourite memories but I can't say that I have a favourite film.
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I've been incredibly lucky with the directors I've worked with.
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If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
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'The Naked Civil Servant' was as important for me as 'Easy Rider' was for Jack Nicholson. No question.
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My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.