Wendell Berry Quotes
A teacher's major contribution may pop out anonymously in the life of some ex-student's grandchild. A teacher, finally, has nothing to go on but faith, a student nothing to offer in return but testimony.
Quotes to Explore
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If you're a good choice maker, you can choose the best emotional responses and choose the best new life paths, forward and upward.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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Katie Holmes is really amazing.
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I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
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I had a moment where I was like, 'I'm so tired of waiting for other people to accept me.'
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I don't really do sad, depressing songs.
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My daddy used to say that I was too big to ride and too little to hitch a wagon - no good for a damn thing.
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If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
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But acting just sort of happened and I found that I loved it. It was such a challenge.
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Everybody was in struggle, in the grind trying to make it.
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I think TV has been a little bit irresponsible in how they portray these people because homicide detectives are not brooding, tortured souls who are stained with the stink of the city and who have blood on their hands. They are real, live people that are incredibly entertaining.
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Every non-Marxist economic theory that treats human and non-human productive inputs as interchangeable assumes that the dehumanisation of human labour is complete. But if it could ever be completed, the result would be the end of capitalism as a system capable of creating and distributing value.
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I write what I write in the way that I write it. I'm not being abstract, you know. I'm talking about something that, you know, is a part of my life.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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Many women long for what eludes them, and like not what is offered them.
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Historically, the notes of scale systems anywhere have been based on these pure harmonics.
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All I can tell them is pick a good one and sock it. I get back to the dugout and they ask me what it was I hit and I tell them I don't know except it looked good.
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The strength of British theatre should be that these actors in their middle years know what they're doing and are good at it. Not rich, not famous, but making a living.
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'Glass Sword' has several set piece scenes that I plotted out or visualized before I wrote them, but I always knew they were coming. They anchor bits of the story.
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If I know somebody is coming 'round, it is incredibly difficult for me to work because I'm waiting for this interruption - even the children's comings and goings are interruptions. Cake-making is a good way of coming out of that space.
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The silence of a wise man is always meaningful.
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Put simply, 'Interstellar' has a strong undercurrent of cheesiness.
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I always try to keep the confidence of the actors, and try my best to make them feel comfortable or confident.
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A teacher's major contribution may pop out anonymously in the life of some ex-student's grandchild. A teacher, finally, has nothing to go on but faith, a student nothing to offer in return but testimony.
