John Krasinski Quotes
I'm not trying to be the triple threat guy. I'm still working on this one threat; acting.
Quotes to Explore
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In my town, and especially in my area, there were people from everywhere: Algerians, Senegalese, French people, Asians, all kinds of immigrants and natives, and everyone circulated.
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I always get scared. I can't read scripts. I'm scared, scary movies and stuff.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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When the simple word processors came in, writing became crisper, less dense - just because of the way we could instantly edit on the screen. Now the ability to mash up words and pictures and links and songs and tweets is what matters. I can't imagine what writing will be like in 2154.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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I enjoyed working as a model a lot as it let me travel and I got to do some really interesting projects.
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To read without reflecting is like eating without digesting.
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I did about a 100 concerts this year. All over the United States. We're cutting back next year to about 40. We generate money for an organization called Mercy Corps.
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I like being an outsider. It is better in France on the outside.
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The solution to women's issues can only be achieved in a free and democratic society in which human energy is liberated, the energy of both women and men together. Our civilization is called human civilization and is not attributed only to men or women.
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If I watch 'Gone With the Wind,' I always find it interesting. I think, 'What's going to happen next? What's that character going to do?' But you know, you never really need to watch the films you made again. They stay inside you, always with you.
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Betty Ford and I were colleagues for years, working together for women's rights in Washington, D.C., and elsewhere in the country.
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I want to lay all my cards out on the table and walk away with no regrets.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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Let the people on both sides keep their self-possession, and just as other clouds have cleared away in due time, so will this, and this great nation shall continue to prosper as before.
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For some, being involved in a scene is a great thing because the social element can drive creativity. For me, though, it's never really been like that. It's the opposite. I've always had this instinct to escape.
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I want people to understand that I intend to continue living and doing all the things that I love to do up until the end. And the end is by no means rushing up on me.
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If it's a big hit, fantastic. If it's not, then it's not. I don't worry about my work.
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I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
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I have been dealing with claims that I cheated and had an unfair advantage in winning my seven Tours since 1999.
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The language can be different, but the emotional lives are the same no matter whether you're doing Shakespeare or Stoppard or something else... The emotional life is all the same.
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Life is not a thing of knowing only - nay, mere knowledge has properly no place at all save as it becomes the handmaiden of feeling and emotion.
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The true man wants two things: danger and play. For that reason he wants woman, as the most dangerous plaything.
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I'm not trying to be the triple threat guy. I'm still working on this one threat; acting.
