John Lahr Quotes
'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
Quotes to Explore
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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America is the student who defies the odds to become the first in a family to go to college - the citizen who defies the cynics and goes out there and votes - the young person who comes out of the shadows to demand the right to dream. That's what America is about.
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If you are attempting to study American history, and you don't understand the force of white supremacy, you fundamentally misunderstand America.
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'The Crumbling of America' should be required viewing for local and national government, not to mention the local and national media who should be keeping their feet to the fire on guarding against disaster.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm so sick of people misunderstanding Asians in America and what we're about.
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We know that the nation that goes all-in on innovation today will own the global economy tomorrow. This is an edge America cannot surrender.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.
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If you write any kind of fiction about America, you immediately have to start doing some research about guns, so in some ways, 'Gun Machine' is just the culmination of 20 years of reading about guns.
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Because the world is in economic recession, which worsened since this drama happened, and our country will bear the burden of all of these consequences.
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It's hard to do a reality show when there's so much crying and drama.
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I like that whole cop-comedy type of drama.
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We are a people trying not only to solve the problems of the present: unemployment, inflation... but we are attempting on a larger scale to fulfill the promise of America.
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I like America, and I think probably the American people like me.
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I do feel really determined, and that I have to pull myself together, but I don't really think like, my market has changed and my company has changed, and I'm going to make it BIG in America!
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One only has to look at the performance of the economy to understand how it shapes the perspective of America's youth about military service.
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Things will be very bad for Latin America. You only have to consider the ambitions and the doctrines of the empire, which regards this region as its backyard.
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Being a role model is cool and a great honor. I'm grateful to be considered one and will live up to that title by encouraging kids to eat their Wheaties and brush their teeth often.
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White House cultures inevitably reflect the president's character. Jimmy Carter is a thoroughly honest, good person. So was his White House.
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'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
