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I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
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Obviously you can stash money under your mattress, cut down on hazelnut lattes, but in terms of the larger economic frame of our lives, we have very little agency. About one of the only things you can do is understand it.
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I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps make it clear that it comes from a slightly different part of the brain, I think.
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I have sane friends, solvent friends, foodie friends, and friends who can take time off in the week, but I don't know one single person who ticks all those boxes.
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It doesn't thrill me to bits that the state has to use the tools of electronic surveillance to keep us safe, but it seems clear to me that it does, and that our right to privacy needs to be qualified, just as our other rights are qualified, in the interest of general security and the common good.
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Dad was a very, very principled man, and he hated any kind of story where the baddies get away with it.
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My standard Nando's order is a chicken breast burger served 'medium,' which is still fairly spicy.
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Our societies have achieved a general level of prosperity of which most of all the human beings who have ever lived could only dream. Now we need to show that we can stop continually wanting more - more money, more stuff. We must show that it is possible for people to realise that they have enough.
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For a while, I had a rule of no smartphone in bed, but now I've upgraded to no smartphone in the bedroom. The fact that we need rules shows how much these things have invaded our lives.
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In sport, the money goes to the talent; it goes directly to the worker - unlike a bank, which sits in the middle of transactions and whose income bears no relation to any of the services it provides.
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There's an awful lot of us who don't quite speak finance, speak money.
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Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.
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Rising inequality is not a law of nature - it's not even a law of economics. It is a consequence of political and economic arrangements, and those arrangements can be changed.
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I don't answer the phone or do my email; I don't do anything until I've got the day's writing done. I have a word count for every day: 500 for fiction, 1,000 for non-fiction, and journalism is 1,500. That's a level I can sustain.
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Fires and floods, we're hardwired to accept them or at least file them under Bad Things Happening. But there's something so abstract and so modern about a bank making a technical mistake about how it funded its obligations to depositors, and suddenly you're out of work.
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I've always been interested in rootedness - mainly, I suppose, because I had very little experience of it.
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We should all know our family's story, all the more so if nobody tells it to us directly and we have to find it out for ourselves.
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Hospitality is central to the restaurant business, yet it's a hard idea to define precisely. Mostly, it involves being nice to people and making them feel welcome. You notice it when it's there, and you particularly notice it when it isn't. A single significant lapse in this area can be your dominant impression of an entire meal.
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Celebrity farmer. Now there's a phrase that should be an oxymoron. There are farmers on both sides of my family, and I can attest that the overlap between the way farmers live, work and think, and celebrity culture, is exactly 0%.
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'Whoops!' was a spin-off from 'Capital.' I had the research and wanted to place it somewhere.
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If we are going to remake society in the image of the fight against terrorism and put that secret fight at the heart of our democratic order - which is the way we're heading - we need to discuss it, and in public.
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'Dead peasants insurance' is a term that sounds as if it comes straight out of Monty Python. If only that were true.
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I love London in the rare parts of the year when it's quiet, and no time is more reliably quiet than the week between Christmas and New Year.
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Is it OK to admit to being slightly obsessed with the TV programme 'Great British Menu?'