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I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
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Our societies have achieved a general level of prosperity of which most of all the human beings who have ever lived could only dream. Now we need to show that we can stop continually wanting more - more money, more stuff. We must show that it is possible for people to realise that they have enough.
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My standard Nando's order is a chicken breast burger served 'medium,' which is still fairly spicy.
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Dad was a very, very principled man, and he hated any kind of story where the baddies get away with it.
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I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps make it clear that it comes from a slightly different part of the brain, I think.
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Nando's is a casual restaurant rather than a fast-food one - another aspirational touch. The food is energetically spiced, where so many of its competitors are bland and grilled to order, where the competition fries food and then lets it sit around.
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Obviously you can stash money under your mattress, cut down on hazelnut lattes, but in terms of the larger economic frame of our lives, we have very little agency. About one of the only things you can do is understand it.
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It doesn't thrill me to bits that the state has to use the tools of electronic surveillance to keep us safe, but it seems clear to me that it does, and that our right to privacy needs to be qualified, just as our other rights are qualified, in the interest of general security and the common good.
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For a while, I had a rule of no smartphone in bed, but now I've upgraded to no smartphone in the bedroom. The fact that we need rules shows how much these things have invaded our lives.
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In sport, the money goes to the talent; it goes directly to the worker - unlike a bank, which sits in the middle of transactions and whose income bears no relation to any of the services it provides.
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We should all know our family's story, all the more so if nobody tells it to us directly and we have to find it out for ourselves.
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Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.
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Fires and floods, we're hardwired to accept them or at least file them under Bad Things Happening. But there's something so abstract and so modern about a bank making a technical mistake about how it funded its obligations to depositors, and suddenly you're out of work.
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Hospitality is central to the restaurant business, yet it's a hard idea to define precisely. Mostly, it involves being nice to people and making them feel welcome. You notice it when it's there, and you particularly notice it when it isn't. A single significant lapse in this area can be your dominant impression of an entire meal.
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There's an awful lot of us who don't quite speak finance, speak money.
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I don't answer the phone or do my email; I don't do anything until I've got the day's writing done. I have a word count for every day: 500 for fiction, 1,000 for non-fiction, and journalism is 1,500. That's a level I can sustain.
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If we are going to remake society in the image of the fight against terrorism and put that secret fight at the heart of our democratic order - which is the way we're heading - we need to discuss it, and in public.
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Rising inequality is not a law of nature - it's not even a law of economics. It is a consequence of political and economic arrangements, and those arrangements can be changed.
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I've always been interested in rootedness - mainly, I suppose, because I had very little experience of it.
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Celebrity farmer. Now there's a phrase that should be an oxymoron. There are farmers on both sides of my family, and I can attest that the overlap between the way farmers live, work and think, and celebrity culture, is exactly 0%.
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I love London in the rare parts of the year when it's quiet, and no time is more reliably quiet than the week between Christmas and New Year.
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'Dead peasants insurance' is a term that sounds as if it comes straight out of Monty Python. If only that were true.
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I'm a huge fan of Peter Jackson's 'Lord of the Rings' movies - I went to all three of them on the day they opened and have seen all of them several times since.
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'Whoops!' was a spin-off from 'Capital.' I had the research and wanted to place it somewhere.