John le Carre Quotes
Writing is like walking in a deserted street. Out of the dust in the street you make a mud pie.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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And, sure, if you have a political point of view, you have every right to share it. But you have to be careful not to get too self-important. You have to find the balance between being entertaining and being preachy.
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I'm kind of sarcastic. Not cynical but sarcastic.
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I definitely love Australia. I've been to Sydney and Melbourne a couple of times, and I love those places.
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The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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I'd never read 'Lord of the Rings' until I was asked to play Gandalf, so I didn't really know it was a frightfully famous book.
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Contrary to popular belief, I'm not always trying to stand out.
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The emperor is in the Church, not above the Church.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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Democracy requires common ground on which all can stand, but that ground is sinking beneath our feet, and democracy may be going down the sinkhole with it.
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Home is where your rump rests.
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Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
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They pollute. It's not because morally they have a problem, but more because the mechanism now is rewarding those who cut corners to save cost.
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Before mobile phones, I used to call my parents from a phone box and reverse the charges.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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The relationship between looking and desire is really about the promise of revelation - the hope that the subject of your gaze will reveal something to you - whether or not that revelation is prurient. And that's really what eroticism is - the anticipation of disclosure.
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Sometimes I hate writing songs. Because it hurts sometimes. I'm very emotional.
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TV is a different animal these days. You can bring together really smart writing and directing, in-depth character development and really meaty political and emotional stories.
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It couldn't interest me less, the idea of putting a living room on stage. I just think, what's the point of walking into a theater to see a living room? A sofa in a forest? Now you're talking.
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Writing is like walking in a deserted street. Out of the dust in the street you make a mud pie.
