John le Carre Quotes
Writing is like walking in a deserted street. Out of the dust in the street you make a mud pie.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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And, sure, if you have a political point of view, you have every right to share it. But you have to be careful not to get too self-important. You have to find the balance between being entertaining and being preachy.
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I'm kind of sarcastic. Not cynical but sarcastic.
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I definitely love Australia. I've been to Sydney and Melbourne a couple of times, and I love those places.
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The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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I'd never read 'Lord of the Rings' until I was asked to play Gandalf, so I didn't really know it was a frightfully famous book.
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Contrary to popular belief, I'm not always trying to stand out.
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The emperor is in the Church, not above the Church.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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Democracy requires common ground on which all can stand, but that ground is sinking beneath our feet, and democracy may be going down the sinkhole with it.
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Home is where your rump rests.
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Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
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They pollute. It's not because morally they have a problem, but more because the mechanism now is rewarding those who cut corners to save cost.
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Before mobile phones, I used to call my parents from a phone box and reverse the charges.
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I don't intend to write the same kind of book for the rest of my life because I feel I would not be satisfied only writing in one mode.
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On the whole, when the unexpected danger happens to you, you're thinking so fast, you're thinking so hard, every bit of you is alive to 'What should I do?' 'What can I do?' There isn't a lot of time for contemplation.
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I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
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There is only one passion, the passion for happiness.
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Writing is like walking in a deserted street. Out of the dust in the street you make a mud pie.
