Geoff Dyer Quotes
In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude.
Quotes to Explore
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I don't know if I would say that I'm specifically a history buff. I do find a lot of things fascinating, especially anything that's bizarre or mysterious and unknown and we don't have all the answers for.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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We must say that there are as many squares as there are numbers.
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I've got ten pairs of trainers. That's one for every day of the week.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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When I have a creative block, I take walks. I like to see what shapes stick out - so many legs rushing by at once, it can seem abstract. I don't need to see great art to get stirred up. Music does that for me more easily.
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Our founders said that everybody mattered, everybody counted. But we all know that they didn't count everybody at the beginning. They did somehow have confidence that each generation of Americans would do a better job with it and would bring more and more people in from the margins and into the heart and soul of our democracy.
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A lot of people who were writing when I came through originally as a singer-songwriter have disappeared.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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School is at once a place of hope, but it's also a laboratory that exposes our differences.
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I've worked my whole life and never missed a deadline.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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I often feel that life is about to begin, only to realize it is almost over.
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For if God is a title of the highest power, He must be incorruptible, perfect, incapable of suffering, and subject to no other being; therefore they are not gods whom necessity compels to obey the one greatest God.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
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High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
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The neck on which diamonds might have worthily sparkled, will look less tempting when the biting winter has hung icicles there for gems.
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I have two really great best friends that are the only people I hang out with. I keep a close circle.
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If you think that by threatening me you can get me to do what you want... well, that's where you're right. But - and I am only saying this because I care - there's a lot of decaffeinated brands on the market that are just as tasty as the real thing.
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There is but one good; that is God. Everything else is good when it looks to Him and bad when it turns from Him.
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I don't think 'Twilight' should be approached like 'Batman.' Because it is an invented kind of world, especially this one, I think it's got to be done with a sense of enjoyment to it I guess more than anything. So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It's a melodrama.
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I would much rather not be the center of attention, and I'd much rather travel and be writing my novel, rather than standing on a stage and trying to get people to understand something.
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In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude.
