Geoff Dyer Quotes
In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude.
Quotes to Explore
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I don't know if I would say that I'm specifically a history buff. I do find a lot of things fascinating, especially anything that's bizarre or mysterious and unknown and we don't have all the answers for.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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We must say that there are as many squares as there are numbers.
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I've got ten pairs of trainers. That's one for every day of the week.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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Honestly, I find writing to be a very lonely job.
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Heaven is long-enduring, and earth continues long. The reason why heaven and earth are able to endure and continue thus long is because they do not live of, or for, themselves.
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When I have a creative block, I take walks. I like to see what shapes stick out - so many legs rushing by at once, it can seem abstract. I don't need to see great art to get stirred up. Music does that for me more easily.
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Our founders said that everybody mattered, everybody counted. But we all know that they didn't count everybody at the beginning. They did somehow have confidence that each generation of Americans would do a better job with it and would bring more and more people in from the margins and into the heart and soul of our democracy.
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A lot of people who were writing when I came through originally as a singer-songwriter have disappeared.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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School is at once a place of hope, but it's also a laboratory that exposes our differences.
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I've worked my whole life and never missed a deadline.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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I often feel that life is about to begin, only to realize it is almost over.
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For if God is a title of the highest power, He must be incorruptible, perfect, incapable of suffering, and subject to no other being; therefore they are not gods whom necessity compels to obey the one greatest God.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
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Fighting is easy to understand. You just hit the guy as hard as you can.
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War has become an affair of machines...and soldiers are little more than clever mechanics.
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I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.
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It is dangerous for a spiritual master to accept almost any aspirant. Although it is an aspect of mercy, it is dangerous. The danger also depends on the spiritual potency of the particular guru. Without sufficient potency, a few offensive or faithless disciples can lead to the guru's fall.
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One of the big ways in which I felt my own writing life shaped by recovery had to do with my relationship to other people's stories. And one of the things I loved most about recovery was the way in which, in meetings and through fellowship, you are constantly kind of paying attention to lives outside of your own.
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In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude.
