Geoffrey Hinton Quotes
Quotes to Explore
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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Work with some men is as besetting a sin as idleness.
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Education must not simply teach work - it must teach Life.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Getting into the residential investment business entails lots of renovation work.
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Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
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I'm smart enough to know to work with smart people.
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Hollywood cools, and when it cools you have to go to where the work is. I ran off to Italy to do spaghetti westerns.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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Quality is everyone's responsibility.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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I am sure that university life would be better, both intellectually and morally, if most university students had temporary childless marriages. This would afford a solution to the sexual urge neither restless nor surreptitious, neither mercenary nor casual, and of such a nature that it need not take up time which ought to be given to work.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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Relationships are like traffic lights. And I just have this theory that I can only exist in a relationship if it's a green light.
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Events don't happen because I write a speech. I am allowed to write a speech because events are going to happen.
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There can be a lot done if you are not so particular about who gets credit for it.
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The brain sure as hell doesn't work by somebody programming in rules.
