John Lee Hooker Quotes
Quotes to Explore
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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The first album I ever bought with my own money was 'Ten.' Every single song reminds me of my childhood.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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Sometimes videos make a bad song very tight.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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Religions have always stressed that compassion is not only central to religious life, it is the key to enlightenment and it the true test of spirituality. But there have always have been those who'd rather put easier goals, like doctrine conformity, in place.
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We just did a few takes of a song and just picked the best one. It was real organic and genuine.
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I've had days when I go in my bedroom for 24 hours at a time. I call them my Cilla Black days, and they're literally black days. It's like the old Boomtown Rats song 'I Don't Like Mondays.' You just want to shut the whole day down.
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I can write a song and a thousand people could hear it and there will be countless different reasons why those people get something out of that song. But they're all there for the same reason, which is to enjoy music and to let it help dissolve those problems or those rough days or to give a reason to keep putting the boots on. So to see ideas come to fruition and for someone to get something out of it is a beautiful thing.
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I'm a compulsive buyer. Anything beautiful I see I want. That's how we got the Waldorf Astoria. I told Conrad Hilton, 'I want the Waldorf,' and he bought it. The only problem was I divorced him before the escrow was finished.
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My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.
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I just get an idea and then all of a sudden I've got a song.
