John Pistole Quotes
Quotes to Explore
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I actually found not having a routine was inspiration.
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I have never broken a contract in my career.
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Money is a bubble that never pops. It's a consensus hallucination.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
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I wanted to write a story about colonization and about Hawaii. I went to college right at the height of identity politics, and that's how I always read 'The Tempest,' for example.
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Giant squid aren't rare. Based on the number of beaks that have been found in the stomachs of sperm whales, it's thought that there are actually millions of them in the ocean, and yet, we haven't seen them.
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One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
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I'm not one of these actors who can make a bad script good. Some actors, a script can be terrible, and they can bring something to it and make it really special. I can't.
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If you're graduating from high school, and you come from a lower income family, you're effectively given two options. One is get a four-year college degree; two is work at a low-wage job, potentially for the rest of your life. We've got to do better on that front. We have to provide more options.
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I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
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Golden opportunities are nothing to laziness, but industry makes the commonest chances golden.
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I loved filming in Morocco; it was amazing. I'd never been anywhere like that. The culture was phenomenal. I was so blown away by the spirit of that country.
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In the aftermath of September 11, it has been made clear to us that our foreign policy can no longer afford to narrowly focus on short-term benefits. For our nation's long-term security, we must be active in promoting American values abroad through our foreign policy.
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I've never had someone pick outfits for me. Almost everything I get is from Goodwill.
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No matter how much cats fight, there always seem to be plenty of kittens.
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Hence, in desiring, the more the enjoyment is delayed, the more fancy begins to weave about the object images of future fruition, and to clothe the desired object with properties calculated to inflame the impulse.
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There are great legends and great fighters in the history of Mexico, and there will be more to come.
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Passage of time can be mind-numbing to figure out in a screenplay. It's the easiest thing to do in prose, not just by writing 'four years later', but you can shift time in a sentence or two.
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It isn't necessary to make things large to make them monumental; a head by Giacometti one inch high would be able to vitalize this whole space.
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The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
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No wonder we have a lot of violence in Rio: the corrupt and violent policemen meet the violent criminals in the streets. What else is going to happen?
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Today, fear of bloodshed is forcing us into recognizing new taboos: those of Muslims.
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I want to take TSA to the next level.
