Ian Somerhalder Quotes
Quotes to Explore
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Well, I'm a Harley Babe.
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When we manage a restaurant, we start making money from the first day. When we own a place, it's often five years before we earn the first penny that is clean of debt.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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As historians, we spend days in archives, gazing at account books. We train would-be historians in the arts of deciphering letters and documents, early Latin, scribal handwriting, medieval French.
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The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.
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I look at it this way: the WNBA is 13 years young. I think eventually women will get to that point, maybe in my daughter's generation, where their salaries will be similar to men's. But we're still starting off, like, where the NBA was back in the 1950s.
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I write 'Broad City,' so I connect it to me.
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Moreover, the practical recommendations deduced from ecological principles threaten the vested interests of commerce; it is hardly surprising that the financial and political power created by these investments should be used sometimes to suppress environmental impact studies.
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I tried to play rugby but was never very good.
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I enjoy Saturday night racing.
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I've never really done acting before, 'cause dancing was my first love. And then, I sort of fell into it from a talent competition and never really looked back.
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I deserve attention not because of any talent, but just because of who I am.
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I have a Stella McCartney Adidas sports bra. I feel like I'm totally comfortable running. No problem. I have support where I need it.
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People don't remember each tree in a park but all of us benefit from the trees. And in a way, artists are like trees in a park.
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Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.
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I know this sounds terribly shallow, but I've been mapping out my outfits for the next day every day since I was little, even before high school.
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What Shakespeare was able to do in English he would certainly not have done in French.
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I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.
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'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
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In boxing you never know who you're going to face in ring.
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On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
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I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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I never wanted to be one of those actors with a political agenda.
