Karl Marx Quotes
All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital, and allowed to live only so far as the interest to the ruling class requires it.
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
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And also, I know I have this responsibility or mission to show people, to encourage them to live their dream, too.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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The test of character is having the ability to meet challenges.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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India can live without nuclear weapons. That's our dream, and it should be the dream of the U.S. also.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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My own personal goal is I just hope to still write songs and kind of let that sustain me as a job. If I could never have a 9-to-5 job, and making a living doing this, it'd just be incredible.
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One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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We want to counter the idea that Muslims and non-Muslims can't live together. This is not who we are or who we want to be.
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There's some things you just have to live with. Like twelve cars camping outside your house, and when you wake up in the morning, they're going to follow you wherever you go. It helps that I live in Valencia. It eliminates some. But they're still here.
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Sometimes I'll ask the book writer to write a monologue, not to be performed, just as if they were notes for the character.
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You might as well expect rivers to run backwards as any man born free to be contented penned up.
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There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
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I feel very fortunate. I feel like an Olympian. When I watch the Olympics, I cry because I have been through that journey.
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All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital, and allowed to live only so far as the interest to the ruling class requires it.
