Karl Marx Quotes
All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital, and allowed to live only so far as the interest to the ruling class requires it.
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
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And also, I know I have this responsibility or mission to show people, to encourage them to live their dream, too.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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The test of character is having the ability to meet challenges.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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India can live without nuclear weapons. That's our dream, and it should be the dream of the U.S. also.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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My own personal goal is I just hope to still write songs and kind of let that sustain me as a job. If I could never have a 9-to-5 job, and making a living doing this, it'd just be incredible.
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One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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I don't want to live up to how people expect me to be.
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My peers accept me and respect me, and that's enough.
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I see all these people talking about acting as a great spiritual thing. It's not. There's no great mystery to acting. It's a very simple thing to do, but you have to work hard at it. It's about asking questions and using your imagination.
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I don't think you have to be in these serious, heavy, independent little movies to be an actor. Some of the most interesting acting I've seen is on cable television.
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We really never know what we're gonna play when we get on stage.
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All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital, and allowed to live only so far as the interest to the ruling class requires it.
