John Patrick Shanley Quotes
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception.
Quotes to Explore
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J. J. Abrams is a director that I've admired for a long time, from the very first scripts he wrote - including 'Regarding Henry,' which I was in.
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The impact of any particular writer on your own work is hard to discern.
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After six years without seeing one, I love just seeing a smile - every smile I see gives me hope.
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If I were president, I am not sure that I would offer Ed Rendell the job of chief of staff.
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I hope Obama gets scary in the next four years, 'cuz he ain't gotta worry about getting re-elected.
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When someone was hitting me, or like sexually molesting me, it just seemed normal to continue to do that to myself.
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I spent a good amount of my time - like a lot of guys my age - obsessing and blowing things up with G.I. Joes. I know it well.
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A person who has been punished is not less inclined to behave in a given way; at best, he learns how to avoid punishment.
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I am a just man.
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Countries with higher levels of gender equality have higher economic growth. Companies with more women on their boards have higher returns. Peace agreements that include women are more successful. Parliaments with more women take up a wider range of issues - including health, education, anti-discrimination, and child support.
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Your focus should be on creating an environment where growth can occur and then letting nature take its course.
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Adversity has ever been considered the state in which a man most easily becomes acquainted with himself.
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I gratefully look forward to oblivion, but I must be sure of it.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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Two cheers for Democracy; one because it admits variety, and two because it permits criticism.
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I don't have many friends.
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After so many years of rejection, I felt acting would have to become a hobby rather than a full-time profession.
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The biggest kick I get is to communicate with those who are exiled from the game - in hospitals, homes, prisons - those who have seldom seen a game, who can't travel to a game, those who are blind.
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The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.
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My best advice is to not start in PowerPoint. Presentation tools force you to think through information linearly, and you really need to start by thinking of the whole instead of the individual lines.
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One of my initial memories of being taken over by music was watching Paul McCartney on TV play a tribute to John Lennon. He was playing piano by himself and singing 'Imagine,' and I remember feeling an anxiety and shortness of breath.
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We had a big party that night and everybody went around gathering results from various precincts and each person would get four or five precincts and then come to the house. There were no cell phones or anything to get results phoned in early.
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When we make progress and get better at something, it is inherently motivating. In order for people to make progress, they have to get feedback and information on how they're doing.
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Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception.
