John Ruskin Quotes
The man who can see all gray, and red, and purples in a peach, will paint the peach rightly round, and rightly altogether. But the man who has only studied its roundness may not see its purples and grays, and if he does not will never get it to look like a peach; so that great power over color is always a sign of large general art-intellect.
Quotes to Explore
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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Israel can't be the only country in the Western world not to have freedom of religion.
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A great many things which in times of lesser knowledge we imagined to be superstitious or useless, prove today on examination to have been of immense value to mankind.
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I am not a prisoner of conscious, but people try to make me one sometimes. It is both a gift and a curse. It's a high honour but can create limitations - I have to be fluid.
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Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
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When you're getting old, obviously you try to put on the best cream, you have massages, you try to stay beautiful, but I think wrinkles can sometimes be more beautiful than having none.
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It is not length of life, but depth of life.
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When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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I worked at a hospital parking cars and getting folks in and out of the hospital as they would come in for their appointments.
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And if you're horrible to me I'm going to write a song about you and you are not going to like it. That's how I operate.
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I think the Bush Administration was bound and determined on regime change, and we will be paying the price of that for some time to come.
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Our everyday lives are filled with complex decisions. We long for simplicity and ordinariness.
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It is the nature of truth in general, as of some ores in particular, to be richest when most superficial.
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I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.
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The limelight is a tricky place, because you can't believe what's going on around you. You stop observing. You stop perceiving. You stop extending yourself, and you become isolated.
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I was filled with hate and anger. But during my trial, something decisive happened: Amnesty International adopted me as a prisoner of conscience, and it was an unbelievable feeling to know that there is someone fighting for you on the outside. Amnesty's 'soft' approach made me seriously consider alternatives to revenge.
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If you love living, you try to take care of the equipment.
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Much early alchemy seems to have been adventure. You heated and mixed and burnt and pounded and to see what would happen. An adventure might suggest an hypothesis that can subsequently be tested, but adventure is prior to theory.
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I can't seem to write young enough anymore.
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I think we very well may take it public again in 2007. We're going to make sure we explore every nook and cranny of America's economic landscape.
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Let it not be in any man's power to say truly of thee that thou art not simple or that thou art not good; but let him be a liar whoever shall think anything of this kind about thee; and this is altogether in thy power.
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The art of phlebotomy originated with bloodletting in 1400 B.C., and the modern clinical lab emerged in the 1960s - and it has not fundamentally evolved since then. You go in, sit down, they put a tourniquet on your arm, stick you with a needle, take these tubes and tubes of blood.
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The man who can see all gray, and red, and purples in a peach, will paint the peach rightly round, and rightly altogether. But the man who has only studied its roundness may not see its purples and grays, and if he does not will never get it to look like a peach; so that great power over color is always a sign of large general art-intellect.
