John Sandford Quotes
Quotes to Explore
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I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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I had a pretty bad time when I was an undergraduate at Cornell University. I failed out of school. I was much, much heavier.
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I came from the theater playing leading roles, and when I started doing film and television, I felt as if I had to start from the bottom.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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I shot 'Girl' about three weeks after I finished 'The Magnificent Seven.'
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I've had my run in with trouble. Fortunately, you know, one slap on the hand is usually the last time for me... I learned my lesson.
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I don't follow anything blindly. I have to know the entire thing, if I have to get in to it. It might sound funny to you, but it's like using English language. I use an English word only when I know its meaning and understand its connotation. You won't hear me say, 'What's up, dude' or anything like that just for the heck of it.
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I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
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Do not seek death. Death will find you. But seek the road which makes death a fulfillment.
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There are many who lust for the simple answers of doctrine or decree. They are on the left and right. They are not confined to a single part of the society. They are terrorists of the mind.
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I've never had any desire to be good. I don't like goodness particularly.
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I wake up every morning and I wish I were dead, and so does Jim.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it.
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I know politics; I know the media.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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I don't know that I'd call myself an optimist.
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I read a lot of archaeology and early history in a general way, not thinking particularly of this book, and this provided me with the background. It showed me how, possibly, the people lived back then.
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Not too many people in cocktail parties are aware of Bioprinting and growing organs, or the coming technological singularity; I've seen very little philosophical speculation about how far we can go, how much we could achieve.
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We sometimes get so caught up in one or another aspect of the teaching, we forget that if a person hasn't been introduced to Christ, if a person hasn't embraced the risen Lord and the church that's an expression of that experience, what we're saying just sounds like a bunch of rules or negative statements limiting their personal freedom.
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Some people will never change.
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I'd read one too many crime novels where the victim was just a name: body number one, dead woman number 12. I understood fear, and I wanted to create characters who made readers say, 'Please, don't hurt this guy.' That's the key to suspense. It's easy to disgust a reader. It's much harder to make them care.
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I'm an outdoors kind of guy.
