N. K. Jemisin Quotes
In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
Quotes to Explore
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Don't try and make a movie for someone else. You have to make it for you and trust that you're not that unique. And that'll matter to other people as well.
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I always went with my agenda, I just couldn't execute it.
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There are lots of wonderful old Italian actors. You don't need to take an Egyptian to play an Italian actor.
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Journalist: a person without any ideas but with an ability to express them; a writer whose skill is improved by a deadline: the more time he has, the worse he writes.
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It's funny how a chubby kid can just be having fun, and people call it entertainment!
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Just like I'm still angry with Simpson for getting by with two murders.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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I'm not an atheist. How can you not believe in something that doesn't exist? That's way too convoluted for me.
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Fame can be annoying, but there are perks too.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience.
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I don't see a superstar out there. I don't see Georges St-Pierre coming back.
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I don't know how to make Harper and Alloy want me, not just my name.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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When I went to Juventus, I was young, but in training, I had legends like Fabio Cannavaro and Lilian Thuram marking me. I had to work hard to get my respect.
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I've always kind of had an interest in the drums but nothing else. The drums are the only thing I feel I would be good at, because I'm a very physical person. I've always played sports and stuff. Drums would give me something to do.
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In managers, I look for people who can get things done through other people. The most important thing for a good manager is that the people on his team feel like he or she has integrity.
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Sometimes, if we are faced with obstacles, be they tangible or not, such as jealousy, worldly sentiment, greed, hatred or obsession, etc., there is no other way to overcome them except by practicing more diligently. You need to read Master's books and to listen to Master's tapes more often, meditate more, do Quan Yin more, put more effort into your practice and concentrate more on the path of practice. It is safe only when you are sheltered by the supreme power, no other way.
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When I did musicals in London a number of years ago, I was in a workshop scenario for a year or more with 'Bombay Dreams.'
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What this country needs... what this great land of ours needs is something to happen to it. Something ferocious and tragic, like what happened to Jericho or the cities of the plain - something terrible I mean, son, so that when the people have been through hellfire and the crucible, and have suffered agony enough and grief, they’ll be people again, human beings, not a bunch of smug contented cows rooting at the trough.
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I hate junk food. It depresses me.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
