N. K. Jemisin Quotes
In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
Quotes to Explore
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Don't try and make a movie for someone else. You have to make it for you and trust that you're not that unique. And that'll matter to other people as well.
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I always went with my agenda, I just couldn't execute it.
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There are lots of wonderful old Italian actors. You don't need to take an Egyptian to play an Italian actor.
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Journalist: a person without any ideas but with an ability to express them; a writer whose skill is improved by a deadline: the more time he has, the worse he writes.
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It's funny how a chubby kid can just be having fun, and people call it entertainment!
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The difference between Amazon and us is Amazon is more like an empire - everything they control themselves, buy and sell.
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Just like I'm still angry with Simpson for getting by with two murders.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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I think that people need an adrenalin rush. Folks need something aspirational; they need to do something that is hard. That's what ignites the imagination.
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I'm not an atheist. How can you not believe in something that doesn't exist? That's way too convoluted for me.
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Fame can be annoying, but there are perks too.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience.
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I don't see a superstar out there. I don't see Georges St-Pierre coming back.
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I don't know how to make Harper and Alloy want me, not just my name.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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When I went to Juventus, I was young, but in training, I had legends like Fabio Cannavaro and Lilian Thuram marking me. I had to work hard to get my respect.
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Net Neutrality - a guiding principle of the Internet since its beginning - means that content is all treated equally.
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As a writer one doesn’t belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn’t belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.
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Only six percent of films are made by women. And so in that that paradigm, a woman making a film at all is a political statement. A woman speaking her truth creates a feminist film.
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On YouTube you can tell what countries are watching and I've definitely noted a strong Australian following. You can plan your tours around where the love is on Twitter and YouTube - before, you couldn't tell.
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We hate most in others what we dislike in ourselves.
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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
