Paul Auster Quotes
History is present in all my novels. And whether I am directly talking about the sociological moment or just immersing my character in the environment, I am very aware of it.
Quotes to Explore
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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When you choose your friends, don't be short-changed by choosing personality over character.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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I thought some of Mrs. White's material was prophetic. I felt some of her insights were extremely helpful and I regarded her as a sister in the Lord. I wasn't out to attack Ellen White's character.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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My books are character-driven. They're not driven by the story.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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That whole environment was just incompatible with my beliefs and my personality. It was a dark time for me.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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Socialists must be in favor of an aristocratic form of government. We must have the best men for the job . . . In the dictator you must have a man who has not only the power to govern but the force of character to impose himself as dictator whether you like him or not.
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I dont categorize characters into one syllable. These are fully-rounded characters that I dont judge; I just play them.
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This turbulent world is far from a perfect place.
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I'm admittedly a record guy. Singles and I are a different beast. I'm definitely an overall picture thinker.
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True sanity entails in one way or another the dissolution of the normal ego, that false self competently adjusted to our alienated social reality... and through this death a rebirth and the eventual re-establishment of a new kind of ego-functioning, the ego now being the servant of the divine, no longer its betrayer.
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History is present in all my novels. And whether I am directly talking about the sociological moment or just immersing my character in the environment, I am very aware of it.
