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I know the pleasure you get from making your films. The intense involvement in every aspect: the acting, the camera, the colors, the costumes, even the hair and makeup. Editing is thrilling. Everything to do with films is absorbing - everything but the money part, the business. But I'm deeply glad I've had that experience.
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I've found that writing novels is an all-absorbing experience - both physical and mental - and I have to do it every day in order to keep the rhythm, to keep myself focused on what I'm doing.
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I hate reading digital books. I don't enjoy the experience. I like smelling the paper, turning the pages. I think the book as we've always known it is an efficient technology.
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As a poet or a novelist or a painter, you are pushing yourself all the time, always looking for a new way to approach something, challenging yourself and never, never trying to write the same book twice.
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Every historical moment needs the stories to be told about it.
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you can survive only if nothing is necessary to you
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Something happens, Blue thinks, and then it goes on happening forever. It can never be changed, can never be otherwise.
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Nobody asks you to do this. The world out there is not panting after another novelist. We choose it
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All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.
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I woke up one day and thought: I want to write a book about the history of my body. I could justify talking about my mother because it was in her body that my body began.
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In my life, I've lived in very different kinds of places - very tiny rooms when I was young. And you do learn to cope with it. The funny thing is, as you begin to inhabit larger places, it's very interesting how quickly you adapt to your space. What seems enormous at first becomes natural after a few weeks.
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I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
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Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
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Often it's true that films just go right through us. You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
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I never feel I'm standing on solid ground, and I do write with a certain kind of trembling fear.
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What I'm trying to do [in Winter Journal] is to tell the story of a man's life from birth, but there are different versions of him, four different versions. Paul Auster
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There are often references to childhood, but they're rarely the focus of the [my] novels.