Umberto Eco Quotes
You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
Quotes to Explore
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I never took hallucinogenic drugs because I never wanted my consciousness expanded one unnecessary iota.
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We are asleep with compasses in our hands.
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I've always wanted to be in journalism. I even started a course at Loughborough doing media studies. I like all sports, and I am keen on writing. But I thought that while I was still young, I ought to make a real go of it at badminton. So I have put all my focus on playing sport instead of writing about it.
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I think people appreciate honesty.
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People have been doing this for hundreds of thousands of years: using whatever is available to build shelter. If you ponder what could be used, then building materials are everywhere.
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I'm less crazy and unhappy when I'm writing.
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History must share with reading, writing and arithmetic first rank as the most important subjects in the curriculum. Understanding the issues on which citizens of a republic are expected to vote is impossible without an understanding of the past.
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During my captivity, I felt abandoned by everyone apart from my family and supporters, because there was no part of the political spectrum that would want me released.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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I am not the only intense or intellectual cricketer. I played with other cricketers who could be pretty intense and intellectual.
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Anything - a destination, a person - that has some mystery around it becomes exciting and attractive.
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I've been doing African dance all my life.
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With 'Mad Men,' people who grew up or were living in that time, they love to talk about what it was really like.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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Back in those days intimidation was the greatest tool the drill instructor had. Without that tool, he would not have had control.
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I know, as an actor, you have to negotiate, but I can't handle the whole idea that art and commerce are synonymous. It drives me nuts.
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Everyone's curves fall in a different place. But you can't put something of mine on and not see curves.
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If one man in the country could take all the money, what was the use of passing any bills about it?
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For some reason, I have always been interested in the stories of people who are exiled and who are deprived of rights. My main motive to make a film is to keep the society in mind and the hospitality adhered.
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You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
