Francisco Goldman Quotes
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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Obstacles, of course, are developmentally necessary: they teach kids strategy, patience, critical thinking, resilience and resourcefulness.
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I was a huge fan of comedy in high school.
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Filipinos are not worse than any other colonized people except that our colonization was a little longer, and the independence movement was always dictated in political terms, never in social ones. We borrowed terms, but we didn't understand them.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
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I remember my school had some of the first Apple IIs in North Carolina. I remember, when I first started using them, we were using a cassette tape to store programs because we didn't have floppy disk drives.
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If people don't like me for whatever I do, for being me, then that's too bad. I don't want to change to be something that I'm not for other people to like me.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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It would almost be sinful to say that I regretted doing 'Charlie's Angels' because it did so much for my career.
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I've sorta learned that I'm so tired of taking myself so seriously. It's so great to show up at work and truly enjoy every word you say.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
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It's quite difficult for a parent to know that their daughter is in great danger.
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All good, clean stories are melodrama; it's just the set of devices that determines how you show or hide it.
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I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.
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As for us, during twenty years' reign, we have known much bitterness.
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My phone is always in front of me, 24/7.
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I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certain questions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliché but it happens to be true. Not just the famous ones who everyone knows, the Clark Gables, the Ava Gardners, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the nightclub. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered.
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I love my sleep.
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It's not a very secure industry. I've spoken to a couple of people recently who had a successful TV show and then found themselves absolutely skint and struggling to find a job.
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When the image is new, the world is new.
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Interviewing is in some ways the art of memory.
