Francisco Goldman Quotes
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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Obstacles, of course, are developmentally necessary: they teach kids strategy, patience, critical thinking, resilience and resourcefulness.
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I was a huge fan of comedy in high school.
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Filipinos are not worse than any other colonized people except that our colonization was a little longer, and the independence movement was always dictated in political terms, never in social ones. We borrowed terms, but we didn't understand them.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
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I remember my school had some of the first Apple IIs in North Carolina. I remember, when I first started using them, we were using a cassette tape to store programs because we didn't have floppy disk drives.
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If people don't like me for whatever I do, for being me, then that's too bad. I don't want to change to be something that I'm not for other people to like me.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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It would almost be sinful to say that I regretted doing 'Charlie's Angels' because it did so much for my career.
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I've sorta learned that I'm so tired of taking myself so seriously. It's so great to show up at work and truly enjoy every word you say.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
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There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
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It's quite difficult for a parent to know that their daughter is in great danger.
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All good, clean stories are melodrama; it's just the set of devices that determines how you show or hide it.
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I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.
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As for us, during twenty years' reign, we have known much bitterness.
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My phone is always in front of me, 24/7.
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The problem with life is, by the time you can read women like a book, your library card has expired.
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I love my sleep.
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I guess I say this for younger actors out there: you have to be brave, and you have to be ready to fail, and that's the only way you can be unique. So when a director is confident enough in what they're doing, and they allow their actors to be brave and bring in stuff, the more likely it's going to work out okay.
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Interviewing is in some ways the art of memory.
