Johnny Knoxville (Philip John Clapp) Quotes
Quotes to Explore
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If you're an actress or a musician, everyone thinks you're hot.
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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If you represent everyone, in some ways you represent no one. You're un-owned.
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The fairest thing in nature, a flower, still has its roots in earth and manure.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
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Everyone at a party is uncomfortable. Knowing that makes me more comfortable.
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My roots are in stand-up, and stand-up is very freeing. There's no script involved; you just fly.
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Now I'm an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
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Quality is everyone's responsibility.
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I don't care who you are or what you have gone through - everyone has something they are fighting for.
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I'm not frightened about terrorism. I'm frightened about the roots of what we call terrorism.
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You can't hate the roots of a tree and not hate the tree. You can't hate Africa and not hate yourself.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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'The Hunger Games' has something for everyone.
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An aggressive drug-testing program would cut down on certain abuses, but its never going to catch everyone - or even close to everyone.
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I'm not the type of person who thinks up a joke and has to tell everyone.
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You can't understand Twenties England until you appreciate it was under a cloud of mourning. Nearly everyone was grieving.
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I love sending stuff to Usher because it always sounds better than me.
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I've admired Lawrence master from his choreographer days. I love how he experiments and makes it work. I like his attention to detail and the intrigue in his movies.
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My works are a direct response to the typical space opera. I grew tired of always reading about how the people with power, with agency, get involved in huge sweeping arcs of stories. I wanted stories that dealt with real people, people I could relate to.
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I'm more interested in producing than acting.
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I think everyone roots for the underdog.
