Fay Godwin Quotes
I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.
Quotes to Explore
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No man ever quite believes in any other man. One may believe in an idea absolutely, but not in a man.
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So although women can do anything that men can't do, they can also do something that men can't do, and that is mother their children.
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I am not a designer that buys vintage to be inspired.
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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I think that my parents' divorce gave me a very strong sense of self-reliance and independence. I realised that I needed to make sure I could support myself because you don't know what's going to happen in the future.
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If anyone has followed my career, they know that there's been a lot of obstacles and a lot of ups and down through my career. But day in and day out, and in the square circle, I went out there and always did my best.
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The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.
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I try to make myself happy, no, because I know that if I'm not happy, my colleagues are not happy and my shareholders are not happy and my customers are not happy.
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I was an expert horseman.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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Sometimes I'd say what's bad for the country is good for my business, unfortunately.
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The fun thing about doing origin stories is you are introducing the audience to characters.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.
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The British Museum was our first real museum, the property of the public rather than the monarch or the church.
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I suppose I am one of life's naturally clumsy people; I don't drop stuff all the time, or break things, but I'm just generally a bit flustered.
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I was a dancer first, which made me realize how much I loved performing.
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I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.
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For me, the key is years of the blessed filmmakers I've worked with giving me permission to be bold and jump off cliffs and to be boundaryless. I would put David Lynch at the top of that list.
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Understanding the importance of evolving is very important. Reinventing is very important. To break what you have already done is very important. That growth should never stop.
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There's no way to know the motives of another person totally, even a person that you know very well.
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My sleep is very important, and I have to have at least eight hours every night in order to function properly the next day. Unfortunately, flying through several time zones makes me disorientated, and it takes several days to readjust.
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I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.
