Jonathan Levine Quotes
For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
Quotes to Explore
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I could sum up the future in one word, and that word is 'boring.' The future is going to be boring.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'
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I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
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I was initially very interested in public policy, but then after my masters at Harvard, I felt that it was important to get a better handle on the economics of it as well. I did my Ph.D. in macroeconomics, and my thesis - 'Why Is It That Some Countries Save And Others Not?' - was on savings.
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As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.
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I think it is the fact that birds are two-legged, like us, which gives them something of our balance and gesture and makes them nearer to us.
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I don't believe that intelligence can be reduced to a number, frankly. But I can see how doing exactly that produces a useful sorting mechanism in our society in order to separate children into categories of promising and doomed. The tests seem arbitrary and without real scientific value and yet have lasting consequences.
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There will be the 5% on the fringe of any hardcore fanbase that get angry about any change you make to the source material. The truth is that novels, games, comics, and what-have-you are not usually ready to be slapped up on screen as-is.
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I've always been taught that hard work doesn't fail.
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We see new things all the time. We see new retroviruses out there - which is the category that HIV falls into - and we're very, very concerned because this is the part of the world where HIV jumped from chimpanzees to humans.
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I've always loved both writing and songwriting. The journey is fascinating to me.
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Forget not, O Lord, that I am one of those whom Thou hast created, and with Thine own blood hast redeemed. I repent me of my sins: I will strive to amend my ways.
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I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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I'm ready for a different America.
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I love Shakira - she is such a beautiful person. She does so many good things for the world on top of making good music. And she is an awesome mom. When you are Latina, it is all about family, and to see that she prioritizes family and her career at the same time is really nice.
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I think there's always been singers like that and i've done my fair share of cheese as well.
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Wherever smart people work, doors are unlocked.
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It's a first for me. It's my first nude scene.
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Fashion is so subjective, and I think it should be playful.
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We now come to the question of applying the observational tests to earlier theories. These theories were based on the hypothesis that all the matter in the universe was created in one big bang at a particular time in the remote past. It now turns out that... all such theories are in conflict with observational requirements.
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If there is some determinate succession of defined whole real numbers, among which there exists no greatest, on the basis of this second principle of generation a new number is obtained which is regarded as the limit of those numbers, i.e. is defined as the next greater number than all of them.
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For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
