A. R. Rahman Quotes
Quotes to Explore
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You've got to live your life, you've got to enjoy it.
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I do big films just to experience personal satisfaction.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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I think I did very well against everyone who tried to defend me.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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When you get successful, you can do pretty much whatever you want.
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I've had horrible days where you wake up with a zit, and you have to film, and it's terrible.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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Architecture is unnecessarily difficult. It's very tough.
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The fitness builds the foundation for me as an actor to have clarity. Fitness has always been the base of where I start off as a performer.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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In emerging markets, slow growth in the advanced economies has shut down a traditional development path: export-led growth. As a result, emerging markets have had to rely once again on domestic demand. This is always a difficult task, given the temptation to over-stimulate.
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I've been trying to get cast as a lesbian for years.
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My dad taught me to kiteboard when I was 13, and around the same time, I happened to just fall into being an extra on a set and fell in love with acting and making movies.
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I've always loved musical films; I find them really thrilling and exciting; it was part of what made me want to be an actress, that feeling of being really transported.
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I was a club kid. I was on the cover of 'New York' magazine and discovered like that.
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I had absolutely no idea of the scale of its following and the globalness of 'Bond'.
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I think sometimes when you want attention, you can wear sunglasses, and people are like, 'Who is that?'
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While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
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We have not invaded anyone. We have not conquered anyone. We have not grabbed their land, their culture, their history and tried to enforce our way of life on them.
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No sensible author wants anything but praise.
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There's a reason that all societies and cultures and small bands of humans engage in myth-making. Fundamentally, it is to help us understand ourselves.
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I wanted to produce film songs that go beyond language or culture.
