Peter Uihlein Quotes
It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.
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Quotes to Explore
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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While others prayed for the good time coming, I worked for it.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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When I was a senior, I got accepted into the Julliard School for Dance, but ultimately decided to move to L.A. to act, so that was a fun conversation with the parents. I truly have some of the greatest parents ever.
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To disagree, one doesn't have to be disagreeable.
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I'm truly glad I've managed to get the public interested in questions about basic research.
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I'm looking for a bunch of new tchotchkes that represent the new part of my life.
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The beauty of democracy is that an average, random, unremarkable citizen can lead it.
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I'm a wannabe redhead, definitely wannabe Julianne Moore or Jessica Chastain redhead. But I love being a brunette.
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My favorite days were when I had a cold and could stay home from school and draw all day long.
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It's sort of interesting how, when you get older, things that were once so important sort of fall away.
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I don't think Pulp Fiction is hard to watch at all.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.
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It is actually the neuroscientists and evolutionists who do the best job of explaining the reasons behind the most unreasonable behavior.
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Eudora Welty's 'A Curtain of Green' had an enormous effect on me. But my early attempts to graft stories from the Deep South onto North of England provincialism were not successful. All were rejected.
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I immediately loved working with flies. They fascinated me, and followed me around in my dreams.
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I find it safer to pursue the powerful, the ugly, the unpleasant.
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Each generation of pilots hopes that they will leave their profession better off than they found it.
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I'm learning not to hold on so tightly to my solitude. It's not an economical way to work. A driver would call it 'white-knuckling.' If you're holding on to the wheel so tightly, it's gonna lock up your driving. Releasing myself from trying to control everything has been part of growing up.
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For me, New York is home because that's where I'm from.
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It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.