Peter Uihlein Quotes
It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.
Quotes to Explore
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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While others prayed for the good time coming, I worked for it.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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When I was a senior, I got accepted into the Julliard School for Dance, but ultimately decided to move to L.A. to act, so that was a fun conversation with the parents. I truly have some of the greatest parents ever.
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To disagree, one doesn't have to be disagreeable.
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I'm looking for a bunch of new tchotchkes that represent the new part of my life.
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The beauty of democracy is that an average, random, unremarkable citizen can lead it.
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I'm a wannabe redhead, definitely wannabe Julianne Moore or Jessica Chastain redhead. But I love being a brunette.
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My favorite days were when I had a cold and could stay home from school and draw all day long.
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It's sort of interesting how, when you get older, things that were once so important sort of fall away.
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I don't think Pulp Fiction is hard to watch at all.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.
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It is actually the neuroscientists and evolutionists who do the best job of explaining the reasons behind the most unreasonable behavior.
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Eudora Welty's 'A Curtain of Green' had an enormous effect on me. But my early attempts to graft stories from the Deep South onto North of England provincialism were not successful. All were rejected.
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My feet are always on the ground. My family and friends make sure I stay there.
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The script looks huge when you first get it, but you just have to go home and drill the lines out. The more you read it, the shorter it gets. I usually read it at least four times.
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A battle won is a battle which we will not acknowledge to be lost.
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The steady expansion of welfare programs can be taken as a measure of the steady disintegration of the Negro family structure over the past generation in the United States.
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We are seeing a great awakening. A national movement of We the People, brought together by what unites us - a shared love of liberty, and an understanding of the unlimited potential of free men and free women.
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It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.
