Oscar Wilde Quotes
The only thing that the artist cannot see is the obvious. The only thing that the public can see is the obvious...
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
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I always knew would be some sort of artist, but didn't know what.
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The artist is the medium between his fantasies and the rest of the world.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I do think you get lonelier and lonelier being an artist as you get older.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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An artist can be truly evaluated only after he is dead. At the very 11th hour, he might do something that will eclipse everything else.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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When I became governor, I vowed to restore the public's trust.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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No one can be an artist without a rich inner life.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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We still need to feed the public, both physically and intellectually.
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When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
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The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.
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I think to be a good director you have to be a good person and you have to care about people.
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The only thing that the artist cannot see is the obvious. The only thing that the public can see is the obvious...
