Lanford Wilson Quotes
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
Quotes to Explore
-
The author may not interpret. But he must tell why and how he wrote his book.
-
Early in 1986, the World Health Organization in Geneva still regarded AIDS as an ailment of the promiscuous few.
-
When I decided that I might want to do acting for a living - I don't know where it really came from, since there was no school play or any of that - my mom gave me her blessing. I had to get a scholarship - that was the only way I could have gone to drama school.
-
Being a model, you're always the product of somebody else's vision.
-
I married him because he told me it was the only way he could protect me. If we were just manager and client, my family could do whatever they wanted to get me back, but if I was his wife, they couldn't.
-
I'm the Jerry Lewis of crime fiction.
-
More gold has been mined from the thoughts of men than has been taken from the earth.
-
When you're a mom to three children, nothing bothers you. Trust me. Who cares what people say? I've got other things to deal with.
-
My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
-
When people say 'marriage' to me... It's always a means to an end. Everyone's so in a rush to define the relationship.
-
I don't know if I'd say I feel green, but I'm getting to know myself as an actor now in a way that I never did as a kid.
-
My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
-
I'm not a god - I do bad things.
-
Nothing in the universe is contingent, but all things are conditioned to exist and operate in a particular manner by the necessity of the divine nature.
-
My daughter is, of course, perfect. Everyone's child is, but mine really is perfect. But I could not have raised her without my parents. From the time she was seven months until now, I have been a single parent.
-
People just can't wrap their heads around two young black women in a major production.
-
The money was going to come and go, between a wife and the IRS. The thrill of beating the best field in golf is what will always stay with me.
-
I don't have a big thing about leaving my mark or being historic.
-
To be a good manager, a manager tries to constantly fight to reduce waste.
-
I've never run a company before, and I don't want to feel like a boss. I just want to turn up and do my work.
-
There's a tendency at the senior and middle-manager level to be too big-picturish and too superficial. There is a phrase, "The devil is in the details." One can formulate brilliant global strategies whose executability is zero. It's only through familiarity with details - the capability of the individuals who have to execute, the marketplace, the timing - that a good strategy emerges. I like to work from details to big pictures.
-
I give everyone upmost respect, and when people feel that, you end up getting the most out of your interaction with them. That connectivity is really important in my life.
-
I'm a huge 'Bachelor' fan!
-
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
