Paul Gauguin Quotes
Quotes to Explore
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I'm lucky to be getting a lot of good work in Tollywood. And I won't say I'm choosy, but of course, you have to select the best, and I'm trying to grab as many good films as I can. There was a time when I had to let go of some films which I regret now.
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The success of 'The Shadow of the Wind' made me very happy, but it did not change my perspective or the way I was.
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Maybe I was unpopular a bit because I was a teacher's pet. But even the teachers complained about me. They would say to my parents, 'For every one question any pupil asks, Walter asks 10.'
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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People get to choose who they follow, so they follow me for me. It's super humbling and awesome.
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I don't really care how I am remembered as long as I bring happiness and joy to people.
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As a child, I remember my own intensive interest in biology, birds, other animals and flowers and was determined at an early age to become a scientist.
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At Linkabit, we put little effort and energy into patenting things.
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I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
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Charan is very hard-working and non-egoistic, given the family he comes from. He is very open to listening, and he surrenders himself completely to the director. It was lovely to work with an actor like that.
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Lawyer even sounds like liar.
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Something in your voice tells me we approach the question of remuneration.
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She had a very agreeable smile; it did not light up her face suddenly, but seemed rather to suffuse it by degrees with charm. It hesitated for a moment about her lips and then slowly travelled to those great shining eyes of hers and there softly lingered.
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I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.
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Part of being a fiction writer is being able to imagine how someone else is thinking and feeling. I think I've always been good at that.
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I came down successfully through Picasso and Braque, down through Pollock, I guess, but I began to stop at Franz Kline and the Abstractionists. I like their design, brilliant design, marvelous color layers. But I don't find any human content there. I'm from an old school, and painting has to have human content for me.
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Since childhood, I have been painting, for no special reason, numerous dots and nets, drawing from the hallucinations that seem to appear endlessly. I can't explain why if you ask me.
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Santa will be showing up with Rudolph the Red-Eyed Reindeer.
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On an instrument you start from one tone. In painting you start from several.
